Private collection : recipes from the Junior League of Palo Alto

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  Encina Hall from the West, Leland Stanford Jr. University, Palo Alto, Calif. ; Zeta Psi Lodge, Stanford [2 photographs]

  Visual Materials

  A personal photograph album of 104 images with handwritten captions chiefly depicting Chester A. Thomas (1874-1920) and Thomas family members between 1892 and 1898 in mining camps in Nevada (pages 1-29); at Stanford University in Palo Alto, California (pages 30-33); visiting Harvard University and Cambridge, Massachusetts (pages 38-49); and at Camp Merritt at the Presidio, San Francisco, in 1898 (pages 33-37 and 50-65). The album includes 20 cyanotype photographs (12.5 x 16.5 cm) of the mining camps in Virginia City and Sutro, Nevada (where Thomas's father, Charles Thomas, was superintendent of the Sutro tunnel), including: mining equipment, miners, locomotive cars, interior views of the mine shaft, buildings and mules. Some of the images are of Camp Merritt, at the Presidio in San Francisco, California, where California volunteers assembled in May-June 1898 for transport to the Philippines during the Spanish American War. Thomas, a member of Company K of the United States Cavalry Volunteers, is depicted as well as other soldiers, including members of the 51st Iowa Volunteers.

  photCL 144

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  Medical recipes and leaves from a Missal : [manuscript]

  Manuscripts

  Part 1. f. 1. [Two medical recipes, possibly the last of a series begun on a previous quire, now missing]: For ye Emerawdis ... , For alle maner hote gowtte ... Part 1. ff. 1-2v. [Latin-English herbal glossary of approximately 130 entries]: Incipit: Here begynnyn ye namys of herbis in latyn & also in englis., Artamessia, Matertera, Mater herbarum [bracketed to:] Moderworte. Part 1. ff. 2v-18v, 29-34v. [Approximately 220 recipes in no readily discernible order, giving recipes for the same illness or affliction in various places; included are several nonmedical recipes: pigments (f. 3v), an incantation against the"fallynge euylle" (ff. 8v-9), red or green sealing wax (f. 12), a charm against being deceived in the market place (f. 13), rat poison (f. 14), ink and glue for parchment (f. 15), indices to determine if a sick person will die (f. 32)]: Incipit: Forto make water of lyne, Recipe Notmuges glowes galingale ye seed of ye cardmoyn ... Explicit: & if you felle it sore ley yerto rotes stampid welle of smalache & do yus tille you be hole. Part 1. ff. 19-28v. [A quire from another manuscript, also dating from the middle of the 15th century, beginning and ending defectively, and lacking its center bifolium, now containing approximately 168 recipes, arranged somewhat more systematically, here proceeding roughly from the head downwards and treating each subject in one place; the latter part of this text lists beneficial herbs and harmful behaviours for different parts of the body; non-medical recipes in this section: indices to determine if a sick person will die (f. 27), rat poison, egg-white ink legible only by candle light, method of preparing eggs so hard that they will not break when thrown against a wall, herbs to make chickens seem dead, means of making a man seem headless, how to make white crows (f. 27v)]: Incipit: //tak sowpernewode & hony eysel & powne yt togeder ... Explicit: For alle manere brosynge, nyme persely rote & al & sowrebred//. Part 1. ff. 34v-35: Rubric: Of thundrynge in diuerse tymis of ye ȝere. Incipit: If it thundire in ye monthe Ianeuere it betoknyth gret wyndis & habundance of fruet & gret batelle ... Explicit: If it thundere in ye monthe of decembre it toknith finalle pace & good reste & pese amonge cristen men. Part 1. f. 35: Rubric: Howe diuerse ȝeres oftyn fallyn throw chonging of dais. Incipit: If sunday falle on ye kalendes of Ianereuer [sic] yat signifieth hot somer ... Explicit: If kalendes of Ianeuere falle on saterday copiouse wyndis drie somere dere qwhet diuerse seknesse. Part 1. f. 35: Rubric: Good dais to be lat blode. Incipit: Hosoeuer blede on ye rith hande ye xvii day of marche ... Explicit: also hoso bled on sent lamberte day he xalle not haue ye fallynge euyll god scheld vs yerfro. Part 1. f. 35r-v: Incipit: In ye ȝere arn xxxii perlouse dais, In qwich if a man falle seke he xalle not liue ... In ye monthe of Ianeuere ius, ii, iiii, v, xv, x, xviii day ... Explicit: In ye monthe of Decembre vi, vii, xv day. Part 1. ff. 35v-36: Rubric: How ye xalle be gouernd euery month in ye ȝere. Incipit: In ye monthe of Ianeuere qwhit wyn is good to drynke & blodletynge forebere for ye vii perlouse dais, in ye monthe of feuerere potages of hokkes to etyn is goode ... Explicit: and hoso gouerne his yat monthe welle it xalle be gret hele to hym all ye next ȝere folwyng on warentise. Explicit goode gouernanse quod symon. Nunc scripsi totum pro christo da michi potum. Iste liber constat Roberto Taylour de Boxforde. Omnibus omnia non mea sompnia dicere possum. Quod symon Wysbech scolaris cantabrig. inceptor canonum et legens sive studens in iure canonico. Symon Wysbech studens in iure canonico. Hec predicta scripsit benedicatur deus. [f. 36v blank]. Part 2. Flyleaves. [Leaves from a Latin Missal]:"Ite missa est" on the front flyleaf and blessing for meals on the back flyleaf.

  mssHM 1336

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  Carl Mautz collection of cartes-de-visite and cabinet photographs from the Western United States and Canada

  Visual Materials

  A collection of approximately 7,000 cartes-de-visite and cabinet photographs, almost entirely portraits of ordinary people in the American West, photographed between approximately 1860 and 1910. The photographs represent the work of thousands of commercial photographers operating in every state west of the Mississippi, plus Wisconsin, which the collector considered a western state given its frontier role in the migration of photographers from the East to West. The collection includes 23 states and territories, including Hawaii, and a few portraits from British Columbia and Western Canada. There are a relatively small number of photographs from Alaska (1) and Arizona (6), not due to scarcity, but because those parts of the collection were previously dispersed. Portraits taken in California make up about half of the collection, representing established photographers in big cities like San Francisco and Sacramento, as well as lesser-known photographers in sparsely populated mountain towns. The people of the frontier and post-frontier West posing in the portraits are mostly unidentified, though some images do have handwritten names and dates. The majority of people pictured are white, with a relatively small number of portraits of African American, Chinese, Latino, and Indigenous persons. Sitters are of all ages, seen in individual poses or in family groups, in various styles of clothing, hair, jewelry, props, and furniture. Images include soldiers, wedding portraits, mothers with babies, children, frontiersmen, workers with tools, dogs, and occasional outdoor images of buildings or people. This collection was amassed over 35 years and became the primary source material for Mautz's seminal reference work Biographies of Western Photographers (1997). The thousands of imprints, some elaborately illustrated, include the names of several female photographers, such as: Fannie Hoyt, Salt Lake City, Utah; Mrs. E. W. (Eliza) Withington, Ione City, California; and Mrs. C. Klostermann, Eureka, California.

  photCL 581

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  Whitechapel Art Gallery (London). J. M. W. Turner R.A. 1775-1851 : an exhibition of pictures from public and private Collections in Great Britain

  Manuscripts

  This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.

  mssBeckett