Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
The Mother's assistant, and child's friend
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Visual Materials
Photo of a native woman holding a child while standing in front of an adobe building with a thatched roof.
photCL 449 (44)
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Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
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Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
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Visual Materials
A collection of glass plate and film negatives by amateur photographer and Los Angeles real estate broker George P. Thresher focusing on the American Southwest and Native Americans of the region, particularly of Arizona, and the Gila River crossing area, from ca. 1898 to 1910. The majority of the Thresher Collection contains images of towns and sites in Arizona, including Phoenix, Mission San Xavier del Bac, Montezuma Castle, Peach Springs, and adobe ruins. Photographs of Texas are well represented in the collection, including many views of Missions San Concepcion, San Antonio de Valero (the Alamo), San Francisco de la Espada, and Mission San Jose y San Miguel de Aguayo. There are also images of Colorado (Garden of the Gods, Pike's Peak, and Castle Rock), New Mexico (Santa Fe, Tesuque, and possibly Laguna), and unidentified pueblos. Notable portraits from California are of Victoriano, chief of the Soboba Indians, and his unnamed third wife. There is a separate and very interesting sequence of images depicting the Mount Beauty Mine and its operations in San Diego County, California. A small assortment of lantern slides is at the end of the collection showing Indians of Arizona, California, and New Mexico.
photCL 449
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Visual Materials
The Banning Family Collection of Photographs, Part II, 1814-1979, consists of 1204 photographs and 23 photographs albums. The three most substantial categories of images in this collection are views of Santa Catalina Island; Banning family properties and residences in southern California; and portraits of family members and relatives. Of special significance are the Catalina photographs documenting the development of the island from a natural enclave with a few inhabitants to a thriving tourist resort. Volume 7 in the Family Album section contains images of the devastating effects of the Catalina fire of 1915. Also of particular interest are photographs of the George S. Patton family.
photCL 451