Rare Books
A dictionary of euphemisms & other doubletalk : being a compilation of linguistic fig leaves and verbal flourishes for artful users of the English Language
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[Stock label: four oranges on branch with leaves and blossoms]
Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL_*9
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Redgrave, Samuel Dictionary of Artists of the English School (London: George Bell and Sons)
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Italy: "English Art in Italy: An Introduction" (typescript, annotated)
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Article drafts - "Biological Age in Art and Nature"
Visual Materials
This collection contains the papers and architectural drawings of Los Angeles architect Wallace Neff, whose career spanned 56 years, from 1919 to 1975. The collection is divided into five series: Personal papers, Professional papers, Project records, Wallace Neff Jr. papers, and Additional donations. The materials include over 100 sets of drawings and plans, Neff's project files, writings and correspondence, job lists, daily journals, sketches and renderings, and photographs. The majority of Neff's work was residential architecture in Southern California, but the collection also contains materials on many types of institutional buildings and other structures Neff designed. Most projects are in California, with some material on projects in Florida, Hawaii, Nevada, Oregon, and Washington, D.C. The Airform project files discuss building in Africa, Brazil, Mexico, Portugal, and other countries. Residences represented include those for Edward L. and Estelle Carrie Doheny, Douglas Fairbanks and Mary Pickford, Amelita Galli-Curci, Fredric March, Frances Marion and Fred Thomson, Groucho Marx, and King Vidor. Other projects include the Edward L. Doheny Memorial Library; Manresa Jesuit Retreat House; Ojai Valley Country Club; Saint Elizabeth Church; and buildings for Loyola Marymount University and Pomona College. There are many records on Neff's Airform buildings: contracts, drawings, patents, licenses, correspondence, and photographs. The collection also includes the research files of Neff's son, Wallace Neff Jr. (1930-2013), related to his father's career and works. Neff Jr. compiled this material while working on his 1986 book "Wallace Neff, Architect of California's Golden Age" (text by Alson Clark). Neff Jr.'s files contain many photographs, notes and articles on Neff buildings, as well as Neff family history, and transcripts of talks he gave on his father. In addition, Neff Jr. commissioned contemporary renderings of his father's buildings, which were painted approximately 1991 to 2007 and are part of this collection. The Additional Donations series contains drawings received from other sources after the primary donation in 2006.
archNeff
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"Biological Age in Art and Nature" - Bound draft
Visual Materials
This collection contains the papers and architectural drawings of Los Angeles architect Wallace Neff, whose career spanned 56 years, from 1919 to 1975. The collection is divided into five series: Personal papers, Professional papers, Project records, Wallace Neff Jr. papers, and Additional donations. The materials include over 100 sets of drawings and plans, Neff's project files, writings and correspondence, job lists, daily journals, sketches and renderings, and photographs. The majority of Neff's work was residential architecture in Southern California, but the collection also contains materials on many types of institutional buildings and other structures Neff designed. Most projects are in California, with some material on projects in Florida, Hawaii, Nevada, Oregon, and Washington, D.C. The Airform project files discuss building in Africa, Brazil, Mexico, Portugal, and other countries. Residences represented include those for Edward L. and Estelle Carrie Doheny, Douglas Fairbanks and Mary Pickford, Amelita Galli-Curci, Fredric March, Frances Marion and Fred Thomson, Groucho Marx, and King Vidor. Other projects include the Edward L. Doheny Memorial Library; Manresa Jesuit Retreat House; Ojai Valley Country Club; Saint Elizabeth Church; and buildings for Loyola Marymount University and Pomona College. There are many records on Neff's Airform buildings: contracts, drawings, patents, licenses, correspondence, and photographs. The collection also includes the research files of Neff's son, Wallace Neff Jr. (1930-2013), related to his father's career and works. Neff Jr. compiled this material while working on his 1986 book "Wallace Neff, Architect of California's Golden Age" (text by Alson Clark). Neff Jr.'s files contain many photographs, notes and articles on Neff buildings, as well as Neff family history, and transcripts of talks he gave on his father. In addition, Neff Jr. commissioned contemporary renderings of his father's buildings, which were painted approximately 1991 to 2007 and are part of this collection. The Additional Donations series contains drawings received from other sources after the primary donation in 2006.
archNeff
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Davidson, Mark, d. 2005. Right, Wrong, and Risky: a Dictionary of Today's American English Usage: [monograph]: Phot. copy (MS., computer printout: 279 p.); 28 cm. (Pre-1992). Also: L.S. (computer printout: 1 p.); 28 cm
Manuscripts
The collection has several strong subject points for the purpose of research including journalism and the writing process and the history of Los Angeles. There are many letters written during World War II that discuss life in America as well as abroad, especially Iwo Jima. The bulk of the collection includes correspondence to Smith from his readers, many of whom were persons of note, and Smith's own subject files of topics often discussed in his columns. The manuscripts include a number of Smith's notebooks as well as drafts of essays and monographs. The ephemera includes appearances of Smith's columns, photographs of Smith's work and family, and printed materials related to Smith's work and family life.
mssSmith, Jack papers