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Series 5. Miscellaneous Research Papers
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Miscellaneous Research Papers
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Contents include: Copy of thesis with TLS – "More than Roses: The Use of Botanical Motifs in the Decorative Designs of William Morris" by Despina Elkouh. 1989. Photocopy of essay with bibliography "Flowers in William Morris Designs" by Jackson Dodge. Photocopy of proposal for study and student paper (with bibliography) entitled "Swatchbooks and Shopwindows: Morris & Company Marketing 1865-1940" by Abigail Van Slyck. Dated Fall 1984. Proposal for paper proposal and bibliography for "Page design and decoration of Kelmscott Press Books by William Morris" by Ewa Makosa. Photocopy of proposal for paper topic and bibliography "Morris Stained Glass Production and Morris's Socialist Ideals" by Lisa Jacobs. Proposal for paper topic and bibliography "Women and the Influence of the Arts and Crafts Movement" inscribed at top "M. Mallory". Copy of dissertation proposal – "A Study of the Business and Financial Management of William Morris's Kelmscott Press" by Alan C. Smith. University of Michigan School of Library Science. Dated Oct. 13, 1977. Copy of paper inscribed on front "Peter Roberts / Unpublished thesis on / 'Morris and the Art of Dyeing' / 1978. Paper entitled "Shop-Fronts and Swatchbooks: Morris and Company Marketing 1865-1925" by Abigail A. Van Slyck, Fall 1984 Photocopy of paper entitled "Moral Fiber: The Role of Women in Morris and Co." by M. Malloy, Fall 1984 Photocopy of "Statement of Topic" – "…the papers William Morris used in preparing his designs for his finished products". By Nancy Harris – Graduate Seminar Audit. Dated Oct. 11. 1984. Photocopy of proposal for paper and bibliography "Utopia/Morris/The Bauhaus" by Lydia A. Matthews. Dated 10/24/84. Photocopy of paper entitled "William Morris and Walter Crane: Similarities and Differences in Theories of Nature and their Application to Graphic Representation in Wall Paper Design" By Kriss Forghan, October, 1984. Photocopy of proposal for a "Paper Topic" by Ann McLean. Proposal for student paper by Joseph Voelker dated Oct. 25, 1984. Copy of student paper and bibliography "History as Religion in the Text and Image of Kelmscott Books" by Joseph Voelker (Professor Lovel – HA 288). Dated Dec. 13, 1984. Photocopy of (student) paper with bibliography "Design Reform in Nineteenth Century Wallpapers: Reason or Imagination" by Ann McLean. (William Morris Seminar, Prof. Lovell). Dated Dec. 13, 1984. Photocopy of student paper and bibliography "Morris and Ruskin: The practical and theoretical reading of Decorative Arts in the Victorian age." By Tiziana Codenotti (Prof. M. Lovell – Seminar in English Art 288). Dated Dec. 13, 1984. Copy of paper including bibliography entitled "Translations and Transformations: The Impact of the English Arts and Crafts Movement on Germany" by Lydia A. Matthews (Graduate Seminar – Professor Margaretta Lovell). Dated January 5, 1985. Copy of paper entitled "William Morris and Indigo Discharge Printing" by Virginia Davis. Ms signed "With warmest regards, / Virginia Davis /February, 1985.
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Correspondence: Levy - Morris
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Note: The folders for Margaretta Lovell and the Minnesota Center for Book Arts were assembled by the Huntington Library. Contains folders labeled: Gerard Levy Lewis & Clark College Los Angeles County Museum of Art Margaretta Lovell Fiona MacCarthy David Magee Macdonald Maggs Bros. Ltd. John Marshall Blanche Matthias. Mrs. Russell J. Robert & Bonnie Mattison/ Notan Graphics John S. Mayfield Metropolitan Museum of Art/ Edith A. Standen Arthur Meyerfeld (2 folders) Mills College Minnesota Center for Book Arts Pierpont Morgan Library Barbara Morris
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Miscellaneous Research Papers
Rare Books
Contents include: Envelope containing various ephemera related to St. Paul American Church in Rome and its Burne-Jones mosaics. Photocopy of "Index to Collected Works of William Morris" from the University of Washington Library. Facsimile reprint of "Chants for Socialists" published by the William Morris Society Photocopy of article entitled "William Morris & His Types" by William Peterson. Ms inscribed to Berger from Peterson. Clipping from the Guardian Weekly, October 18, 1969 – article entitled "Memories of Morris" about Mary Elizabeth Higginson, a former employee of Merton Abbey. Photocopy of an article entitled "A Visit to William Morris" by W. Irving Way from Modern Art, 4(3), [Summer, 1896]. Photocopy of ms. "Memories of May Morris" by Sir Basil Blackwell. Reprint of article "1996 Gutenberg Prize Acceptance Remarks" by John Dreyfus from Sonderdruck aus Gutenberg-Jahrbuch 1997. Inscribed on cover to the Bergers from John Dreyfus. Reprint of article by John Dreyfus "Spectrum: Designed by J. van Krimpen" from The Penrose Annual. Ms inscribed on cover by Dreyfus to Berger. Photocopy of article entitled "Some Examples of Tapestry Designed by Sir E. Burne-Jones and Mr. J. H. Dearle" from The Studio (1908). Photocopy of article entitled "Aggression and Utopia: A Note on William Morris's 'New From Nowhere'". Photocopy of the William Morris Gallery Quarterly Bulletin (Spring, 1961). Copy of essay by Frederick Kirchhoff "Travel as Anti-Autobiography: William Morris' Icelandic Journals". Typed essay "Liberty & Co. Ltd. Merton Abbey" (na). Photocopy of essay about Charles Nordhoff by D. E. Myrick Photocopy of Princeton University Library Chronicle, 2(3), Spring 1991 Various reprints of articles about fine bookbindings Ms. letter to Berger from Robert Hosmon dated August 11, 1971 In manila postal envelope - typed ms. signed letter dated December 65, 1968 and menu to Martin Speckter signed John (Dreyfus) – menu signed by the Bergers and Dreyfus.
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Series 4. Miscellaneous
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This series includes photographs, slides, broadsides, exhibition and gallery posters, postcards, greeting cards, calendars, postage stamps, invitations, notes, personal correspondence, matted letterpress prints, clippings, photocopies of proofs and designs, etc. This series also contains a scrapbook of ephemera (mainly invitations) relating to well-known figures and venues in the Arts and Crafts milieu of late Victorian and early Edwardian London. A partial, item-level container list for this series is included below.
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Sanford L. Berger papers
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The Sanford L. Berger papers consist chiefly of research material relating to the activities of California architect Sanford L. Berger, from the mid 1960s to the late 1990s, as a collector, student, and enthusiast of objects and knowledge related to 19th century English artist, decorator, poet, and printer William Morris and his circle. This finding aid provides a preliminary inventory of the collection and has been broadly arranged into eleven series. This collection contains a wide assortment of materials of varying research value. Because most items remain in the original order in which the Huntington received them, there is some overlap among series. The bulk of the collection consists of correspondence between Berger and prominent individuals in Morrisian scholarly, academic, special collections libraries, book trade and museum circles in the United States and England (Series 1), as well copies of articles, clippings, ephemera, and research materials related to Morrisian topics (Series 2 and Series 5). The collection also contains administrative documents and ephemera related to museum exhibitions that included material from the Bergers' collection (Series 3), and specific research and travel files related to the story of Cupid and Psyche as recounted in Morris's The Earthly Paradise (Series 8); ecclesiastical stained glass installations of Morris & Co. visited by the Bergers (Series 9); and the Cranbrook Educational Community in Bloomfield Hills, Michigan (Series 7). Miscellaneous ephemera (Series 4) in the collection includes fine press book announcements, exhibition posters, postcards, clippings, photocopies and photographs of Morris designs, correspondence, notes and inventories made by Berger, 238 bifolios from The Golden Legend (Series 4, Box 64), and loose gatherings and separated leaves from miscellaneous imprints (Series 4, Box 65). Complimentary materials in the collection include items related to Berger's interest in contemporary and historical fine press printing, particularly in the San Francisco Bay Area (Series 6) and two film reels from the 1970s (Series 10).
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Series I. Correspondence
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The series contains correspondence between Sanford Berger and many prominent people in Morrisian scholarly, academic, special collections libraries, book trade and museum circles in the United States and England during the period ranging mainly from the mid-1960s to the late 1990s. The correspondence includes incoming letters, as well as photocopies and/or manuscript drafts of outgoing letters. Also included are book sales catalogues, invoices, museum catalogues, newsletters, research notes, photographs, fine press keepsake publications, greeting cards, speech and lecture notes and texts, association and club-related correspondence, clippings, thank you letters, and miscellaneous ephemera. Much of the material in the correspondence series is described at the item level in an appendix available from the Rare Books Department as an electronic document. However, the appendix was assembled during the early surveying of the entire Berger collection and may list some items that were not originally part of the correspondence files and are now included in other series.
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