Rare Books
The Oxford book of twentieth-century English verse
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The Oxford book of children's verse
Rare Books
A chronologically arranged anthology of 332 selections spanning five hundred years of American and British poetry, from Chaucer to Ogden Nash. Includes source and biographical notes.
621004
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The Penguin book of modern African poetry
Rare Books
This comprehensive anthology features the work of ninety-nine poets from twenty- seven countries; thirty-one of the poets appear here for the first time. War songs, satires, and political protests jostle with poems about love, nature, and the surprises of life, offering a rich and wide-ranging body of creative work.
621017
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English Sculpture from the Medieval Period to the end of the Eighteenth Century
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
mssEsdaile
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Twentieth century
Visual Materials
The Twentieth century series contains approximately 21,600 scores dated between 1900 and 1998. The collection represents several styles of American music, such as blues, jazz, minstrel, pop, religious, rhythm and blues, showtunes, and soul music. These scores cover topics including entertainment, industry and professions, the military, people and culture, science and technology, sports and leisure, transportation, travel, and miscellaneous songs. A small number are published outside the United States, including works from Australia, Britain, Europe, Mexico, and Chile. While many of the scores are intact, several are fragile or loose at the seam, and in some cases, only the cover page remains. Most available cover pages are ornately designed and may contain photographic images of the creators and performers, inserted notes, or autographs. The scores feature lyrical or instrumental compositions, in the form of cake walks, the Charleston, marches, polkas, quadrilles, shuffles, two-steps, and waltzes. Multiple editions exist for some titles. Notable actors, composers, directors, lithographers, lyricists, performers, producers, and publishers are frequently involved, often serving in more than one role. Overlaps can be found between subseries. For example, certain scores suitable for the European American Creators and performers boxes are located in the People and culture boxes because of their stereotypical representations of people of color. Some of the scores that were created by people of color but performed by European Americans will be found among the boxes for creators and performers of color. The Minstrels boxes contain scores created, and, or performed by European American men. As such, minstrel scores created by people of color or European American women are located in the People and culture boxes pertaining to those two groups. Productions scores created or performed by people of color are located in the Creators and performers boxes pertaining to people of color. The productions scores created or performed by prominent European American women creators and performers are located in the creators and performers boxes pertaining to European American women. Please note that the collection may contain historical images and language that users could find harmful, offensive, or inappropriate.
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