The art of illuminating as practised in Europe from the earliest times : illustrated by borders, initial letters, and alphabets

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  The history of stained glass : from the earliest period of the art to the present time

  Rare Books

  "In 1848 Warrington courted further controversy when he published his The History of Stained Glass. Curiously, and inadvisably, he had used illustrations of his own work, rather than those of ancient examples, to demonstrate the styles ... Warrington's text was also heavily criticized for inaccuracy in its literary references, interpretation of medieval arrangement of subject matter and use of sacred forms. The book, however, remains a useful indicator of the 1840s work of Warrington and is a source of information regarding some early nineteenth-century glass-painters."--Oxford Dictionary of National Biography

  656962

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  Marchese, Frank. 1 letter (1998, Aug. 23) to Charles E. Rozaire, 1927-. Includes a copy of the Royal Canadian Academy of Arts exhibitions and members bulletin from 1880- 1979

  Manuscripts

  The Artwork series is arranged alphabetically and contains exhibition catalogs, article clippings, fliers, publications, and brochures. For the most part, there are two groupings for each of these categories, one that revolves around Arthur Rozaire and the other which mentions fellow artists. The exhibition catalogs span from 1919-1921. Rozaire's works were showcased at both the Royal Canadian Academy of Arts in Canada and the Museum of History, Science and Art in Los Angeles. The fliers, brochures, and publications publicize Rozaire's upcoming exhibitions. There is a large gap in the time span among the Rozaire clippings. Most of the clippings are from 1908-1922 when Rozaire was alive. Margaret Rozaire saved these clippings and her grandson, Charles, fashioned a scrapbook out of them. The next group of clippings was collected by Charles and range from 1988-1998. The focus of these clippings was articles that mentioned his grandfather and any exhibitions in which his art was to be displayed. The items relating to Butterfield & Butterfield include a contract that Charles Rozaire signed with the auctioneer house to sell some of his grandfather's paintings, receipts, and sell notices when items sold. The Genealogy series is arranged alphabetically and includes article clippings from newspapers and other publications mentioning family members, the diary of Jerome Caldwell, genealogical charts and tables revolving around the family's history. There is also an autograph book kept by Clara Caldwell dated 1887, certificates for Jerome Caldwell to teach first and second grade in the 1870s, funeral programs, financial records, and a location notice from various Caldwell and Rozaire family members.

  mssRozaire papers

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  Turney, Catherine. "The Undying Past: The Story of an Obsession:" [novel: p. 1-252] [c. 1995]. 2 items. Alternate title, "There Will Be Time." Includes 1 letter to Catherine Turney from Joanne Louis Yeck

  Manuscripts

  There are 711 items in the manuscript section which are arranged alphabetically by author and then title. Materials without author and title are arranged alphabetically by type. Oversize materials are located in boxes 34 and 35. The manuscripts consist of various screenplays, television and movie treatments, biographies, and novels, both published and unpublished, written by Turney throughout her career (some written with co-authors such as Jerry Horwin and Stephen Longstreet). The collection includes an unproduced screenplay, written for Bette Davis titled "Angel Manager." A version of the screenplay for "Of Human Bondage" is located in the manuscripts. Also included is one of the first scripts for "Japanese War Bride," originally titled "East is East." There are materials related to Turney's first play, "Bitter Harvest," including two published copies with Turney's edits, and her most successful play, "My Dear Children." The manuscripts section also contains drafts of Byron's daughter and Turney's research notes for that book. Other manuscripts include: a draft of her biography "The Patriarch," which was intended to illuminate the lives of the women in George Washington's life; a fictional trilogy regarding early California entitled "Light in the Spring," "Manifest Destiny," and "Fruit of the Vine;" and a biography of Aimée Dubuc de Rivery entitled "The Beautiful One." Research notes and materials for her biographies and novels are listed under "Note cards" and "Notes." There are reviews of Turney's biographies and novels, two interviews with Catherine Turney, and poetry written by Turney while she attended Bishop's School. Of note are seventeen drawings by the artist Stephen Longstreet. There are also manuscripts relating to the creation and early days of the Pasadena Community Playhouse and two manuscripts regarding Catherine Turney's experiences with John Barrymore in the 1930s while he played the leading role in "My Dear Children."

  mssTurney