Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
American wild flowers in their native haunts
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
The C.C. Pierce collection constitutes one of the most important collections of historical photographs of early California and Los Angeles extant. The collection of 10,100 prints was assembled by Charles C. Pierce, a photographer and long-time operator of a thriving Los Angeles photographic business. The collection is divided into nine topical headings devised by Pierce; these include Los Angeles Historical; Indians; Missions; California cities, counties, etc.; Industries and Agriculture; Transportation; Natural History; Art and Architecture; and Miscellaneous Scenery. Within these large sections are smaller categories that focus on the history, landscape, people, civic and cultural events, built environment, and development of Southern California and the Southwest from approximately 1845-1930. Of particular interest are the various Indian tribes depicted as well as all twenty-one of the California Missions.
photCL Pierce
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Visual Materials
This series contains nine photograph albums and many individual photographs. The majority of the photographs are of Native Americans of the Northwest Coast, California and the Southwest of North America. The photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, on their travels to buy Indian baskets and other artifacts primarily between 1903 and 1912. Both Nicholson and Hartman took photographs during the trips, and some images depict the same scene, photographed with two different cameras and film sizes--possibly from cameras each was carrying. For this reason, attribution is dual: Photographs by Grace Nicholson/Carroll S. Hartman. There are also many postcards and commercial photographs with the photographers identified where known. Many people and places are identified on the backs of photos in Grace Nicholson's handwriting.
photCL 56
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Visual Materials
A portfolio of approximately 50 loose pages of printed photographs and text related to Wallace Neff's life and works. Note: this is not a copy of Wallace Neff Jr.'s 1986 book of the same title; the content is completely different. Includes reproductions of some of the contemporary renderings of Neff houses. Publication information reads: Copyright Wallace Neff Jr.; book design by Robert Hansen. Center Gallery Editions, printed in San Juan Capistrano, California, by Robert Hansen.
archNeff
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Manuscripts
These are likely George Cole's personal notes about the Huntington collections, comprised of lists of a variety of holdings of the library, and acquisitions made by the Huntington between 1915 and 1924. It includes Cole's notes regarding variations within different printings of various texts (for example, differences in two copies of Bacon's "Wisdom of the Ancients" both from the same year, with different typeset), as well as listings of famous first editions, incunabula, Shakespeare quartos, and historical papers in the Huntington collection; lists of holdings in other libraries; lists of items sent to galleries, exhibits, or for exchange or sale; physical descriptions and comparisons of texts; biographical histories of certain authors; and lists of things not in the Huntington's collection. Additionally, it also includes some material on bibliography, and a cataloging guide from 1920 of HEHL cataloging practice. Most of the material is undated.
HIA 30.1
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Visual Materials
The Jay T. Last sheet music collection consists of approximately 34,950 scores dating from 1794 to 1998. It includes a wide range of American popular music styles, as well as scores published outside of the United States. The collection encompasses ballads, blues, comic songs, jazz, minstrel scores, military scores, patriotic melodies, pop, ragtime compositions, religious hymns, rhythm and blues hits, show tunes, soul music, and 1960s surf music. The scores comprise various editions of lyrical and instrumental compositions, some of which are ornately designed and, in some cases, bear the signatures of creators and performers. Many of the scores have sellers' marks printed on the covers. Some of the names found in the nineteenth-century series overlap with those in the twentieth-century series. It is also important to note that this collection contains historical images and language that some library users may find harmful, offensive, or inappropriate.
priJLC_SMUS
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Manuscripts
Pavement is being laid and flattened in the public parking lot for the San Marino ranch. A slightly different version in the same folder has an MS note on verso that reads "August 14 1952."
HIA 60.1.14