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The maxims of Methuselah : being the advice given by the patriarch in his nine hundred sixty and ninth year to his Great Grandson at Shem's coming of age in regard to women

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    [A group portrait of nine women]

    Visual Materials

    The photograph album chronicles Charles F. Lummis's time with the Del Valle family at Rancho Camulos in Ventura County, California, from 1887 to 1888. There are many photographs of the Del Valle family, particularly the Del Valle daughters, with whom Lummis is shown playfully interacting. Family gatherings include a local Catholic priest, couples dancing, and young women playing instruments. Views of Rancho Camulos, the surrounding landscape, and architectural features such as the placita, the chapel, and the south veranda, are also prominently featured. The front cover of the photograph album bears the embossed title of "Susanita Del Valle," while the spine's title says, "Views of Camulos." An inscription on the third page reads: "Susanita Del Valle, with the best wishes of Chas. F. Lummis -- Feb. 3, 1888." (Susanita was a nickname for Susana Carmen Del Valle (1871-1907)). Some of the pictures appear in The home of Ramona: photographs of Camulos, the fine old Spanish estate described by Mrs. Helen Hunt Jackson, as the home of 'Ramona', by Charles F. Lummis, published in Los Angeles in 1888. The Huntington Library holds a copy of this book (RB 35644) as well as a second edition (RB 252770). Both copies are illustrated with original cyanotypes by Lummis, many of which are in The home of Ramona.

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    Mr Howard and his Burrows : Coming out of Death Valley

    Visual Materials

    This collection consists of pages of a disbound photograph album containing 32 various-sized snapshots related to travel by the Letchworth Family in Southern California in 1906. The images, accompanied by handwritten captions, include views of Eagle Rock, Pasadena, Las Casitas in Ventura, and the Miramar Inn in Santa Barbara, California, as well as four images of "Mr. Howard and his Burrows coming from Death Valley." The images include landscape views of Southern California canyons, hillsides, and ranch lands; horseback riding, hotel buildings, and two Native Americans. The images are mounted on seven disbound scrapbook pages from a photograph album. 15 of the images are 3 3/4 x 12 inch panoramas. The collection also contains one loose 6 x 8 inch gelatin silver print showing members of an audience in a grandstand during a March 1906 horse show in Pasadena (Item 33).

    photCL 540

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    Atole in his war costume

    Visual Materials

    A disbound album of primarily portrait photographs of Plains Indians, taken by photographer William E. Irwin from the 1890s to early 1900s, in Indian Territory. His images document the Chiricahua Apache, Comanche, and Kiowa Indians who lived near Anadarko and Fort Sill, Oklahoma; some photographs may have been taken at Irwin's studio at Chickasha, Indian Territory. Besides the studio and field portraits, there are also candid views illustrating late 19th-century Plains Indians in their daily lives; several views of cowboys and cow herding; Fort Sill; tepees; landscapes; and one view of a Wichita Indian grass house or wickiup. Notable portraits include those of Geronimo, seated, posing with headdress and revolver; Appeahtone (Kiowa Chief) and his wife; and Quanah Parker (Comanche Chief) with two of his wives. Many of the photographs focus on Comanche and Kiowa Indians posing for studio portraits. These portraits depict infants and children, young women, mothers, scouts, and warriors, many identified by name. Named individuals include Poor Buffalo, White Buffalo, Lone Wolf, and Little White Shield, among others. Field photographs show Apache, Kiowa, and Comanche encampments; a Wichita grass house; both cowboys and Indians caring for their herds; and views in and around Anadarko and Fort Sill, Oklahoma.

    photCL 161

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    Chief Quanah Parker with two of his wives

    Visual Materials

    A disbound album of primarily portrait photographs of Plains Indians, taken by photographer William E. Irwin from the 1890s to early 1900s, in Indian Territory. His images document the Chiricahua Apache, Comanche, and Kiowa Indians who lived near Anadarko and Fort Sill, Oklahoma; some photographs may have been taken at Irwin's studio at Chickasha, Indian Territory. Besides the studio and field portraits, there are also candid views illustrating late 19th-century Plains Indians in their daily lives; several views of cowboys and cow herding; Fort Sill; tepees; landscapes; and one view of a Wichita Indian grass house or wickiup. Notable portraits include those of Geronimo, seated, posing with headdress and revolver; Appeahtone (Kiowa Chief) and his wife; and Quanah Parker (Comanche Chief) with two of his wives. Many of the photographs focus on Comanche and Kiowa Indians posing for studio portraits. These portraits depict infants and children, young women, mothers, scouts, and warriors, many identified by name. Named individuals include Poor Buffalo, White Buffalo, Lone Wolf, and Little White Shield, among others. Field photographs show Apache, Kiowa, and Comanche encampments; a Wichita grass house; both cowboys and Indians caring for their herds; and views in and around Anadarko and Fort Sill, Oklahoma.

    photCL 161

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    Cheyenne brave, his squaw, and papoose. View taken in the Bow-and-Arrow period of the Western Plains, 1868

    Visual Materials

    This is a collection of mostly studio portraits of Native Americans from the Midwestern and Southwestern United States taken during the American Indian Wars. There are also views of their homes and camps on reservations. The photographs in this collection depict members of the Arapaho, Cheyenne, Comanche, Crow, Kiowa, Osage, and Wichita tribes during the American Indian Wars; Native American camp sites on Indian reservations; chieftains; a medicine man; native prisoners of war; native women and children; braves and their families; tipis; native families; and native scouts for the U.S. army. Notable portraits include Lone Wolf, Satank, Chief Stumbling Bear, and Chief Powder Face. William S. Soule is the photographer of the first 23 photographs, and Fred Miller is the photographer of the last two.

    photCL 189