Rare Books
Kelmscott Manor : the home of William Morris and its repair for the Society of Antiquaries of London
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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William Morris was one of the most influencial designers of the 19th century, and his appeal remains strong today. Many of his wallpaper, carpet, and textile patterns are still in production. Now, the life and work of this pioneer of the British Arts and Crafts Movement is fully analyzed for the first time in the most complete and multifaceted look at Morris ever published. 565 illustrations, 394 in color.
607702
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Manuscripts
Archival and manuscript portion of the Sanford and Helen Berger collection. In addition to the papers of William Morris and his associates, the collection also includes materials on nineteenth and twentieth century British Pre-Raphaelites, fine Printing and private presses -- Kelmscott Press, (including the Kelmscott Chaucer), and the Doves Press, architects, illustrators, and the Arts & Crafts movement .
MOR 354-387.
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Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
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Rare Books
113502