Rare Books
Down in Tennessee, and back by way of Richmond
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Way Back When
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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[Back view of large clapboard house, Chattanooga, Tennessee]
Visual Materials
This collection contains 54 photographs by photographer Isaac H. Bonsall chiefly depicting the landscape and Union Army operations during the American Civil War in Chattanooga, Tennessee, Murfreesboro, Tennessee, Lookout Mountain, Georgia, Corinth, Mississippi, and the surrounding regions, from approximately 1862 to 1865. The prints primarily document encampments, buildings, artillery, steamships, railroad bridges, and soldiers. The collection also includes some portraits of soldiers and Union officers, including the officers of the 1st United States Veteran Volunteer Engineers and Generals William S. Rosencrans, John H. King, George H. Thomas, and Joseph Hooker. Among the images are two images of African American Union troops. A landscape view of grazing farm animals near Arkansas City, Kansas, is the only image in the collection that does not date from the Civil War, and also the only image carrying Bonsall's imprint. There are also two additional images that were not taken by Bonsall and include copyright information for N. Brown.
photCL 491