Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
This album is composed of 12 original collages inserted into decorated paper-covered front and rear boards. Collages are made with paper, silk ribbons, flowers, dyed wool, shells, leaves, cut-outs from various printed sources, and lithographs. The collagist was likely an Irish Catholic young woman, either from or living in Avoca, Wicklow County, Ireland (there is a collage page with the title "Sweet Vale Avoca"). Each collage speaks to a different theme ranging from rural life, nature, a childhood home, childhood, youth, communion, perceptions of old age, and a haunted house. Each collage has a title and handwritten pasted-down captions, some coming from popular songs and verse including Thomas Moore's "The Meeting of the Waters." Housed in a slip case with gilt title "ALBUM ANGLAIS."
mssHM 84002
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Rare Books
In his anatomical researches on the generation of animals, originally published in Latin in 1651, William Harvey (1658-1657) developed the first fundamentally new theory of generation since antiquity. Harvey's work represented a major advance in the study of animal reproduction, ranking with the works of Fabrizio and Malpighi. Contemporary theories of generation, based on the work of Aristotle and Galen, held that the fetus was formed by the action of semen on menstrual blood, but Harvey argued, based on his studies of developing chick and deer embryos, that all life arose from eggs (ex ovo omnia). This principle was of crucial importance in the history of embryology. Harvey further maintained, contrary to the prevailing belief in preformation, that the fetus developed gradually, a process that he termed "epigenesis."
657614
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Manuscripts
Letters between John Steinbeck, his wife Elaine, and John Fearnley, a director and casting director working for the Rodgers & Hammerstein Organization at the time. Correspondence discusses the Rodgers & Hammerstein musical Pipe Dream, which was based on Steinbeck's novel Sweet Thursday (1954); ideas for a new production; and Steinbeck's enjoyment of living in England while writing his last novel. A 1967 letter from Elaine Steinbeck describes the couple's life in Vietnam while John Steinbeck was working as a war correspondent there. Many letters incorporate nicknames the three devised on a trip during the Pipe Dream run: Inside Straight (John Steinbeck), Queen Radio (Elaine Steinbeck), and Small Change (John Fearnley). Some letters also include a Pigasus stamp, a flying pig motif Steinbeck used throughout his life as a symbol of himself. There is also one letter to Elaine Steinbeck from Richard Lewine, former managing director of the Rodgers & Hammerstein Organization, advising her about John Fearnley's eulogy; and a fragment likely written by John Fearnley.
mssFearnley
Image not available
Manuscripts
Letters between John Steinbeck, his wife Elaine, and John Fearnley, a director and casting director working for the Rodgers & Hammerstein Organization at the time. Correspondence discusses the Rodgers & Hammerstein musical Pipe Dream, which was based on Steinbeck's novel Sweet Thursday (1954); ideas for a new production; and Steinbeck's enjoyment of living in England while writing his last novel. A 1967 letter from Elaine Steinbeck describes the couple's life in Vietnam while John Steinbeck was working as a war correspondent there. Many letters incorporate nicknames the three devised on a trip during the Pipe Dream run: Inside Straight (John Steinbeck), Queen Radio (Elaine Steinbeck), and Small Change (John Fearnley). Some letters also include a Pigasus stamp, a flying pig motif Steinbeck used throughout his life as a symbol of himself. There is also one letter to Elaine Steinbeck from Richard Lewine, former managing director of the Rodgers & Hammerstein Organization, advising her about John Fearnley's eulogy; and a fragment likely written by John Fearnley.
mssFearnley
Image not available
Manuscripts
Letters between John Steinbeck, his wife Elaine, and John Fearnley, a director and casting director working for the Rodgers & Hammerstein Organization at the time. Correspondence discusses the Rodgers & Hammerstein musical Pipe Dream, which was based on Steinbeck's novel Sweet Thursday (1954); ideas for a new production; and Steinbeck's enjoyment of living in England while writing his last novel. A 1967 letter from Elaine Steinbeck describes the couple's life in Vietnam while John Steinbeck was working as a war correspondent there. Many letters incorporate nicknames the three devised on a trip during the Pipe Dream run: Inside Straight (John Steinbeck), Queen Radio (Elaine Steinbeck), and Small Change (John Fearnley). Some letters also include a Pigasus stamp, a flying pig motif Steinbeck used throughout his life as a symbol of himself. There is also one letter to Elaine Steinbeck from Richard Lewine, former managing director of the Rodgers & Hammerstein Organization, advising her about John Fearnley's eulogy; and a fragment likely written by John Fearnley.
mssFearnley
Image not available
Manuscripts
Letters between John Steinbeck, his wife Elaine, and John Fearnley, a director and casting director working for the Rodgers & Hammerstein Organization at the time. Correspondence discusses the Rodgers & Hammerstein musical Pipe Dream, which was based on Steinbeck's novel Sweet Thursday (1954); ideas for a new production; and Steinbeck's enjoyment of living in England while writing his last novel. A 1967 letter from Elaine Steinbeck describes the couple's life in Vietnam while John Steinbeck was working as a war correspondent there. Many letters incorporate nicknames the three devised on a trip during the Pipe Dream run: Inside Straight (John Steinbeck), Queen Radio (Elaine Steinbeck), and Small Change (John Fearnley). Some letters also include a Pigasus stamp, a flying pig motif Steinbeck used throughout his life as a symbol of himself. There is also one letter to Elaine Steinbeck from Richard Lewine, former managing director of the Rodgers & Hammerstein Organization, advising her about John Fearnley's eulogy; and a fragment likely written by John Fearnley.
mssFearnley