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The house in Antigua : a restoration

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    [Image of the corner of the house]

    Visual Materials

    The photograph album chronicles Charles F. Lummis's time with the Del Valle family at Rancho Camulos in Ventura County, California, from 1887 to 1888. There are many photographs of the Del Valle family, particularly the Del Valle daughters, with whom Lummis is shown playfully interacting. Family gatherings include a local Catholic priest, couples dancing, and young women playing instruments. Views of Rancho Camulos, the surrounding landscape, and architectural features such as the placita, the chapel, and the south veranda, are also prominently featured. The front cover of the photograph album bears the embossed title of "Susanita Del Valle," while the spine's title says, "Views of Camulos." An inscription on the third page reads: "Susanita Del Valle, with the best wishes of Chas. F. Lummis -- Feb. 3, 1888." (Susanita was a nickname for Susana Carmen Del Valle (1871-1907)). Some of the pictures appear in The home of Ramona: photographs of Camulos, the fine old Spanish estate described by Mrs. Helen Hunt Jackson, as the home of 'Ramona', by Charles F. Lummis, published in Los Angeles in 1888. The Huntington Library holds a copy of this book (RB 35644) as well as a second edition (RB 252770). Both copies are illustrated with original cyanotypes by Lummis, many of which are in The home of Ramona.

    photCL 504

  • Marsh Japanese tea garden house, circa 1910

    Marsh Japanese tea garden house, circa 1910

    Visual Materials

    Tsune Goto, dressed in traditional Japanese attire, stands with a child (probably eldest son Kametaro, also known as Kame or "Tom") in a stroller in front of the house in the Marsh Japanese tea garden. Henry E. Huntington bought the house, stone statuary, and plants from George Turner Marsh in 1911, and had it moved to his estate from Marsh's commercial Japanese garden in Pasadena. On verso: Mr. Goto's old views.

    photCL 107 fld 9 (33)

  • Marsh Japanese tea garden house, circa 1910

    Marsh Japanese tea garden house, circa 1910

    Visual Materials

    A view of the house now on the west ridge of the Japanese garden, in its previous location. A couple are standing on a bridge on the left, while a woman in traditional Japanese attire is standing on the right with a child in her arms. The woman on the right is Tsune Goto, and the child is probably her eldest son Kametaro, also known as Kame or "Tom". Henry E. Huntington bought the house, stone statuary, and plants from George Turner Marsh in 1911, and had it moved to his estate from Marsh's commercial Japanese garden in Pasadena. On verso: Mr. Goto's old views.

    photCL 107 fld 9 (32)

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    Block house

    Visual Materials

    This album contains typical commercial photographs of the towns and scenery of California, Oregon and Washington dating from the 1890s. Of note are early views of San Diego, Santa Barbara, San Luis Obispo, San Francisco, Tacoma, and Seattle. There are also views of California missions and coastal landscapes. The Oregon photographs are of scenery only. Photographs of California include San Diego; Casa de Estudillo in Old Town San Diego; Mission San Luis Rey, San Juan Capistrano, and Santa Barbara; Santa Barbara; San Luis Obispo; Confederate general James Longstreet's Los Angeles home; the Bellevue Terrace Hotel; various Los Angeles homes; Pasadena; Elias Jackson "Lucky" Baldwin's Santa Anita ranch; San Francisco city scenes; and wilderness en route to Oregon. Oregon photographs show images of the Columbia River; Mt. Hood; Latourell Falls; Multnomah Falls; and nature scenes. Photographs of Washington state include Tacoma; Green River; Native Americans from an unidentified tribe; Seattle; and Angeline, the daughter of Chief Seattle of the Suquamish tribe. Twenty-six of the pictures in this album were photographed by Isaiah West Taber and twenty-two were photographed by W.H.J. and Company. It may be that William H. Jeffers created those twenty-two photographs, as he was active in California during this time period. Other photographers who contributed to this album include Thomas H. Rutter, Charles B. Talbot, and Boyd & Braas (William F. Boyd and George H. Braas). The initials "E.B.R." and the year 1897 are embossed on the photo album's spine.

    photCL 94

  • Image not available

    Block house

    Visual Materials

    This album contains typical commercial photographs of the towns and scenery of California, Oregon and Washington dating from the 1890s. Of note are early views of San Diego, Santa Barbara, San Luis Obispo, San Francisco, Tacoma, and Seattle. There are also views of California missions and coastal landscapes. The Oregon photographs are of scenery only. Photographs of California include San Diego; Casa de Estudillo in Old Town San Diego; Mission San Luis Rey, San Juan Capistrano, and Santa Barbara; Santa Barbara; San Luis Obispo; Confederate general James Longstreet's Los Angeles home; the Bellevue Terrace Hotel; various Los Angeles homes; Pasadena; Elias Jackson "Lucky" Baldwin's Santa Anita ranch; San Francisco city scenes; and wilderness en route to Oregon. Oregon photographs show images of the Columbia River; Mt. Hood; Latourell Falls; Multnomah Falls; and nature scenes. Photographs of Washington state include Tacoma; Green River; Native Americans from an unidentified tribe; Seattle; and Angeline, the daughter of Chief Seattle of the Suquamish tribe. Twenty-six of the pictures in this album were photographed by Isaiah West Taber and twenty-two were photographed by W.H.J. and Company. It may be that William H. Jeffers created those twenty-two photographs, as he was active in California during this time period. Other photographers who contributed to this album include Thomas H. Rutter, Charles B. Talbot, and Boyd & Braas (William F. Boyd and George H. Braas). The initials "E.B.R." and the year 1897 are embossed on the photo album's spine.

    photCL 94

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    The Warner murals in the Wilshire Boulevard Temple, Los Angeles, California

    Rare Books

    A history of the synagogues in Los Angeles of the Congregation B'nai B'rith, formally incorporated in 1873, focusing on a description of the Warner Memorial Murals by Hugo Ballin with which the Congregation's third synagogue, the Wilshire Boulevard Temple. !b The Temple was the first Jewish sanctuary to make extensive use of paintings. The paintings, gift of Mr. and Mrs. Jack, Harry and Abe Warner in memory of Milton and Samuel Warner, consist of three lunettes located on the north, east, and west sides of the building. The Creation Lunette represents the days of Creation according to the Midrashic point of view; the Eastern Lunette represents the Prophets, Priests and Rabbis of Old; the Western Lunette depicts the Messianic Age or the reign of peace and good will upon earth. The murals were executed on canvas in the studio of Hugo Ballin, and then brought to the Temple and attached to the walls.

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