Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Through Glacier Park in 1915
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Rare Books
401334
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Visual Materials
The collection consists of photographs (the majority of which are housed in two photograph albums), negatives, published material, and ephemera that depict locations throughout California and the Western United States. Many of these were locations where Frank Rolfe, a geologist, worked on various surveys, including the Los Angeles aqueduct survey. The collection contains two photograph albums: one depicts the initial Los Angeles aqueduct survey, the second contains photographs of Los Angeles (central Los Angeles and neighborhoods where Rolfe and his wife lived), the San Gabriel Valley and other locations in Los Angeles County (Devil's Gate Dam, the San Gabriel Mountains, the St. Francis Dam and San Francisquito Canyon), San Bernardino County (the San Bernardino Mountains, Big Bear Lake), Riverside County (the Coachella Valley, Tahquitz Canyon, the Temescal Valley, Riverside, the San Jacinto Mountains), Kern County, and commercially produced images of Yosemite. Boxes 3 and 4 contain negatives; viewing of the negatives must be arranged with the Curator of Photographs. The negatives depict street scenes in central Los Angeles, including the wrecking of the Temple Block, the Amestoy Block, the Hall of Records, and Bunker Hill. Also included are views of the West Adams neighborhood; houses where Rolfe and his wife lived in the 1920s and 30s; the snowstorm of 1932; and the 1920 Inglewood earthquake. The collection also includes images of Hollywood and vicinity (including a number of photographs of the Mulholland Dam and images of Brentwood and Bel Air); Santa Monica (including the Santa Monica Mountains and Decker Canyon); Santa Catalina Island; north Los Angeles County (including the San Fernando and Santa Clarita valleys, the ruins of the Saint Francis Dam and San Francisquito Canyon, and the golden spike celebration at Lang); the San Gabriel Valley (including many views of the San Gabriel Mountains); Orange County (including Modjeska's home, Santiago Canyon, San Juan Capistrano, the Puente hills, and Santa Ana Canyon); San Diego County; San Bernardino County (including a number of photographs of mining camps, including Ivanpah and Camp Roach; construction of the Ludlow and Southern Railway; and mining operations, such as the Bagdad Chase Mine and the Bagdad Mining and Milling Company); Riverside County (including the Temescal Tin Mine, Temescal and the Temescal Valley, Hog Lake, the San Jacinto River, Mount San Jacinto, and Idyllwild); Ventura County; Kern County (images of the Kern River); Inyo County; Yosemite; northern California (including Stanford and Susie Lake); Nevada (Truckee River dam projects); Oregon; Washington; Utah; Glacier Park, Montana; people (Rolfe, his family and friends); and miscellaneous photographs (a number of desert views, mostly Southern California). The collection also contains commercial photographs of the Rolfe family, many in carte-de-visite format. The ephemerial materials consist of a letter written in 1862 from Sutter Creek by Rolfe's father Ovid to his brother Alfred in Dorchester, Massachusetts; biographical sketches of members of the Rolfe family; clippings compiled by Rolfe; Rolfe's high school and college diplomas; card files on Rolfe family history, covered wagons in Los Angeles, and Temescal history; and negative books.
photCL 400 volume 12
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Manuscripts
The Albert R. Hibbs Papers, 1884-2009 (80 boxes) document the personal life and career of Hibbs as a manager and scientist at the Jet Propulsion Laboratory (JPL), the relationships between JPL, the National Aeronautics and Space Administration (NASA), and the California Institute of Technology (Caltech), and the development of the solar system exploration programs. Hibbs' consulting work for television and radio programs, Biosphere 2, and Morgantown Area Rapid Transit System (MARTS) are also documented. Although the collection arrived at The Huntington in disarray, original order of the materials was maintained when possible and the arrangement reflects Hibbs' general organization by correspondent, subject, or format of materials. The collection is divided into ten series: Audio Visual Materials, Consulting Files, Jet Propulsion Laboratory (JPL), Notebooks, Personal Files, Photographs and Negatives, Presentations and Speeches, Publications and Writings, Teaching Files, and Oversize. The bulk of collection materials date from 1931 to 1999 and consists of audio and video tapes, clippings, correspondence, memoranda, notes, photographs, publications, speeches, and writings. As the collection is arranged by both subject and format of the materials, researchers should be aware that materials are often dispersed through the series. For example, materials related to specific subjects are frequently represented in the JPL and Notebooks Series; similarly, Hibbs' friendship and collaboration with Roy L. Walford is documented in the Correspondence and Aging Research and Writings subseries of the Personal Series, in the Space Bioshpheres Ventures subseries of the Consulting series, as well as in the Audio Visual Materials Series. Correspondence is also dispersed throughout the series.
mssHibbs
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Visual Materials
The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.
photCL 478
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Visual Materials
The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.
photCL 478
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Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375