Rare Books
A little writing book
Image not available
You might also be interested in
Image not available
Ambrose Bierce letter to Jonathan D. Hale
Manuscripts
This letter, which Ambrose Bierce wrote from Readyville, Tennessee, is addressed to Jonathan D. Hale. At the time, Bierce was serving as chief of scouts for General William Babcock Hazen; Hale was chief scout for General George Henry Thomas. The letter is about the activities of Union scouts in Tennessee, and reads: "Dr. Hale, Sir, I am requested by Mr. D. F. Bragg to write you and let you know where he is and what he is doing, as he thinks perhaps you may blame him for not reporting to you. He is here and rendering me valuable assistance. His residence is only a few miles from here and he is able to pick up some valuable information in regard to the movements of the small bodies of the enemy cavalry in our vicinity. He is a sort of connecting link in a chain of scouts which I have established between here and Auburn and is doing good service. If you can spare him I should like very well to keep him here. He requests me to send you the enclosed letter from a rebel soldier though the letter is of little account. Very Resp'y Yr. Obt. Svt. A. G. Bierce."
mssHM 83405
Image not available
Subject Files - Writing and Books
Manuscripts
The collection consists of five series: Manuscripts, Correspondence, Photographs, Subject Files and Research Materials, and Ephemera. Manuscripts are subdivided into manuscripts by Octavia E. Butler, notecards, diaries, commonplace books, and manuscripts by others. They are arranged alphabetically by author, then title or chronologically within each subseries. These manuscripts consist primarily of drafts of short stories and novels, and related notes. Correspondence is arranged alphabetically by the author's last name, then chronologically. This series includes correspondence to and from Octavia E. Butler by friends, editors, family members, and other authors. Photographs are arranged chronologically in several groups: loose photos (small), loose photos (large), album pages, and photo album. This series includes images from Octavia's travels and speaking engagements.The subject files represent Octavia's arrangement of clippings by topic. The research materials are other clippings and subject materials that have been arranged by the cataloger, using Octavia's schema where possible. The ephemera are arranged in 19 subseries, alphabetically. In addition there are oversize materials, housed separately, for all the above series. Researchers should be sure to search the oversize series for additional materials.
mssOEB
Image not available
Research Materials - Writing and Books
Manuscripts
The collection consists of five series: Manuscripts, Correspondence, Photographs, Subject Files and Research Materials, and Ephemera. Manuscripts are subdivided into manuscripts by Octavia E. Butler, notecards, diaries, commonplace books, and manuscripts by others. They are arranged alphabetically by author, then title or chronologically within each subseries. These manuscripts consist primarily of drafts of short stories and novels, and related notes. Correspondence is arranged alphabetically by the author's last name, then chronologically. This series includes correspondence to and from Octavia E. Butler by friends, editors, family members, and other authors. Photographs are arranged chronologically in several groups: loose photos (small), loose photos (large), album pages, and photo album. This series includes images from Octavia's travels and speaking engagements.The subject files represent Octavia's arrangement of clippings by topic. The research materials are other clippings and subject materials that have been arranged by the cataloger, using Octavia's schema where possible. The ephemera are arranged in 19 subseries, alphabetically. In addition there are oversize materials, housed separately, for all the above series. Researchers should be sure to search the oversize series for additional materials.
mssOEB
Image not available
Sweep out cottage
Rare Books
"Although taken over a five-year period, the photographs in Sweep Out Cottage timelessly evoke one single summer's day in Little Compton, Rhode Island. Here, with the wistful sense of an earlier era, is evidence of two people who love the simple things in life: gardening, reading, eating and drinking in their beautiful holiday surroundings. For some years now Peter Jones and his wife have rented the sweep out cottage every July, and in this quiet colonial hamlet they have realized a dream of summer as it should be, with the breeze off the water, the fragrance of flowers and soft fruit, a good book, a favorite chair, and the breakfast table set for another idyllic day. Jones has been involved with many aspects of photography all his adult life, but it is here in Sweep Out Cottage that he has found his own true artistic inspiration. The work in this, his first monograph, is not only a celebration of a place and a way of life; it is also an homage to a happy marriage and a time of blissful serenity"--Publisher's description.
653185
Image not available
Theatrical anecdotes
Rare Books
Theatrical anecdotes are almost as old as the theatre itself. For much of its 2,500-year history, the stage has teemed with real characters and real stories as fascinating as any created by a dramatist. Ranging from the age of Aristophanes to the time of Tennessee Williams, this book is a motherlode of tales about backstage rivalries, thespian eccentricity, the parsimony of producers, and indignities suffered on tour. Here we encounter Judith Anderson's unique method of working herself into a frenzy for her first entrance in Medea: deliberately provoking her co-star and arch-enemy Florence Reed. We get Oscar Wilde's own assessment of the first performance of Lady Windermere's Fan ("The play was a great success, but the audience was a total failure"). And we learn of Shakespeare's wild oats and why Moliere's grave had to be dug an extra four feet deep. David Garrick, Sarah Bernhardt, Noel Coward, Donald Wolfit, Laurence Olivier, John Gielgud, Helen Hays, and a cast of hundreds are present in these pages--along with directors, producers, critics, prompters, prop men, designers, and ghosts. Although the book brims with the glittering and the glamourous, Peter Hay does not neglect those legions of near-anonymous players and professionals without whom the stars would not be stars and the theatre could not exist. The ideal gift book for anyone who has ever been stage-struck, Theatrical Anecdotes is both richly entertaining and wonderfully edifying. Organized by topic, it contains hundreds of tips for all theatrical professionals, directs scholars and students to a wealth of historical sources, and treats lovers of theatre to a feast of backstage secrets that will permanently enrich their appreciation of the art.
486821

Abbott’s Common School Drawing Cards
Visual Materials
One set of drawing cards entitled Abbott’s Common School Drawing Cards, by Jacob and John S.C. Abbott, printed by Robert B. Collins, New York, 1874, Landscapes, Set 1, designed by B.H. Coe." On the back of the card box are instructions, entitled Arrangements, on the use of the cards. The cards are removed from the case by pulling on an insert. A notice "To the Teacher" on the verso of the insert explains how to teach drawing in school, and below this, "Reasons for Introducing Drawing into Common Schools" are listed. The card set is complete with the original forty cards, plus an extra card 1. They are numbered in Roman numerals, from No. I to No. XL, along with further drawing instructions on the back of each. For example, drawing card No. I shows a farm courtyard with various buildings and on the reverse the following instruction: "Whenever you have a pediment end of a building to draw, that is, an end terminated by a point at the top, where the two sides of the roof meet, as occurs in this lesson, always draw both the side walls first...."
ephKAEE