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Biographical Sketch of Henry W. Carruthers, Esq. : First Lieutenant and adjutant Ninety-Seventh Regiment Pennsylvania Volunteers, acting assistant Adjutant-General, First Brigade, First Division, Tenth Corps; Captain Company C
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History of the Ninety-seventh regiment : Pennsylvania volunteer infantry, during the war of the rebellion, 1861-65
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Ninety-seventh regiment. Tenth brigade of infantry. Regimental orders
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The Jay T. Last collection of military prints and ephemera contains approximately 4,900 printed items from 1785 to 1966, with the majority of material dating from 1860 to 1900. The collection consists of prints depicting battle scenes, forts, camps, prisons, and military officers; advertising ephemera with military-related images, more than 3,000 Civil War-era patriotic envelopes, and over 100 Civil War-era song sheets. The collection has more than 400 large-size items comprised mainly of lithographic and engraved prints including printed illustrations of battlefields, certificates and contracts, and portraits of major military and political figures during wartime. Small-size items in the collection number almost 4,500 items and are comprised mainly of patriotic envelopes (also known as patriotic covers) from the American Civil War. Other stationery such as postcards and printed billheads and letterheads (with and without manuscript text) are found in this series, as well as advertising ephemera with military-related illustrations. The collection mainly includes prints and ephemera related to the American Civil War, both contemporaneous and commemorative in nature. The American Revolutionary War, the Mexican-American War, and the Spanish-American War are also represented. The images are primarily documentary or patriotic in nature and provide information about the American military, as well as the evolution of advertising strategies employed by businesses during periods of conflict in the 19th and early 20th centuries. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
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Historical sketch of the Fifteenth Regiment, New Jersey Volunteers. First Brigade, First Division, Sixth Corps
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[Monument of 99th Regiment Pennsylvania Volunteers, 2nd Brigade, 1st Division, 3rd Corps]
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The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445
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[Monument of 1st Regiment Delaware Volunteer Infantry, 2nd Brigade, 3rd Division, 2nd Corps.]
Visual Materials
The Singleton Collection is organized into four discrete yet interrelated units. The first consists of 79 photographs by Mathew Brady (1823-1896) and Alexander Gardner (1821-1882) of scenes of the Civil War taken between 1861 and 1865. Included are group portraits of generals with their staffs, important wartime sites and activities, and photographs of paintings depicting various skirmishes. While the photographs were taken by Brady and Gardner during the war, the images were printed around 1885 by John Taylor and marketed by the firm of Taylor & Huntington. These photographer-entrepreneurs hoped to capitalize on twenty-fifth anniversary war reunions and commemorations by reissuing the once-familiar views. On the verso of each image is a partial list of the photographs sold by Taylor & Huntington for 75 cents a piece. The second grouping of photographs depicts two views of Abraham Lincoln and portraits of the Lincoln conspirators and their execution. These were also taken by Brady and Gardner during the war and, as with the first group, printed and issued around 1885 by Taylor & Huntington. Of particular rarity are the fourteen photographs of the Lincoln assassination conspirators including portraits of David Herold, George Atzerodt, Edward Spangler, two views of Lewis Payne, two views of Michael O'Laughlin, and an unidentified conspirator. Additionally, there is a complete set of three images depicting the execution of Mrs. Surratt and the conspirators taken by Alexander Gardner on July 7, 1865, as well as three of the five known images documenting the execution of Captain Wirz, the notorious Keeper of Andersonville Prison. Eighty-three cabinet portraits of Confederate Generals and other Southern leaders by George S. Cook (1819-1902) comprise the third section of the collection. Cook was a friend and former employee of Matthew Brady, and he provided E.& H.T. Anthony Co. with portraits from the South, including the first portrait of Colonel Robert Anderson. These portraits may come from sources other than Cook as he purchased competing photographers negatives, issuing them on his mounts. These portraits were taken in the 1860s but printed between 1880 and 1890 when Cook operated his Richmond, Virginia studio at 913 East Main Street. The last grouping of photographs contains 210 images by William H. Tipton (1850-1929), the self-described "Battlefield Photographer." The imperial-sized photographs depict the numerous monuments erected on the Gettysburg battlefield to honor the soldiers who fought and died in this decisive battle. The photographs date from the 1880s. The Singleton Collection constitutes of one of the most complete historic archives of the Gettysburg monuments.
photCL 445