Rare Books
Album [autograph album]
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----. Autograph Album [autograph album] (1924)
Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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----. Autograph Album [autograph album] (1924)
Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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Autograph albums
Manuscripts
The George Turner Marsh papers consist of professional and personal correspondence, documents, ephemera, financial records, legal documents, negatives, photographs, and typescripts dating from 1875-2001. The bulk of the first series contains correspondence to and from customers, export agents, art, and antique dealers including Singleton, Benda & Co., Ltd, Zung Chang Ziang Company, and Zung Chang Trading Company, Ltd (1879-1970). Included are letters from C.R. Conway and legal documents related to San Fernando Petroleum and Mining Company; Conway claimed to be one of the original claimants with interest in the company. The more recent letters, with supporting enclosures, concern the origin of the Japanese Tea Garden in San Francisco, California. The second series includes letters from Marsh's wife Lucy E. Whiteside Marsh writing from Pasadena, California (1903), grateful recipients of Marsh's book Citizenship for Nations (1931-1932), and direct mail from the International Coalition and the New Commonwealth (1928-1953). Included in the same series are research notes, possibly conducted by Marsh for his 1931 book. The third series includes numerous clippings, ephemera, and postcards concerning arts, culture, and politics (1881-2001). Also included is a box containing various drafts about Japanese sword mountings entitled Catalogue of Kozuka by George Turner Marsh. The fourth series consists of one daguerreotype, negatives, photograph albums, and photographs (1894-1986). Most of the photograph albums and photographs showcase Asian arts and antiques for sale at Marsh's stores and from dealers. Also included are scenes from the Japanese Village during the California Midwinter International Exposition of 1894. Note: There is an envelope of unavailable negatives too fragile to be handled.
mssMarsh