Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Indian journals, March 1962-May 1963 : notebooks, diary, blank pages, writings
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Rare Books
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Manuscripts
The collection is comprised primarily of the manuscripts, correspondence, photographs, and ephemera of Paul Theroux. His works are often semi-autobiographical and are based on his experiences living and traveling around the world. He is noted for his rich, sometimes ironic, description of people and places. The material comprises almost his entire career as a writer and includes multiple drafts of various works from working notebooks to printed galleys. The collection includes novels (1967-2016), short story collections (1972-2014), non-fiction and travel books (1972-2016), and shorter works including reviews, articles, short stories, plays, and lectures (1960-2015); the collection also includes Theroux's working and travel notebooks (1968-2014). The collection also contains professional papers and business correspondence (1963-2015), with publishers, agents, other authors and reader's letters; included in this material are letters from, among others, Eve Auchincloss, Peter De Vries, Margaret Drabble, Nadine Gordimer, Graham Greene, Blanche C. Gregory, Hamish Hamilton Ltd., Houghton Mifflin Company, V.S. Naipaul, Jonathan Raban, Oliver Sacks, Muriel Spark, Stephen Spender, William Styron, and Auberon Waugh. There is also a smaller amount of family material and personal correspondence (1939-2015), with family and friends; this correspondence includes Eugene Theroux, Alexander Theroux, Peter Theroux, Marcel Theroux, Louis Theroux, Anne Theroux, and various other family members. The ephemera consists of photographs, printed material and magazines (1941-1915).
mssTheroux
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Manuscripts
This collection consists of two series: the Grace Nicholson papers (2,926 items) and addenda (1,444 items). The papers consist primarily of correspondence, while the addenda is primarily notes. Both relate to Grace Nicholson and her work in the fields of Native American and Asian art. There are many letters from Native Americans to Nicholson and extensive diaries and notes that Nicholson kept on her buying trips through Native American territory, especially of the Karok, Klamath, and Pomo Indians. Subject matter includes Native American legends, folklore, vocabulary, tribal festivals, basket making, business in art trade, and living conditions. There is also a considerable amount of correspondence from China, Japan, and Korea between Nicholson and her buyers. Among the subjects covered are Chinese art and architecture, Japanese art, Korean art, Javanese textiles, Siamese art, Philippine art, life and social conditions in Asia, and the business of trading Asian art. Being a well-known dealer in Native American and Asian art, Nicholson was in contact with many artists, such as Frederick Arthur Bridgman, W. Herbert Dunton, Sadakichi Hartmann, Elizabeth Conrad Hickox, Louise Merrill Hickox, Grace Carpenter Hudson, George Wharton James, Lilian Miller, Hovsep T. Pushman, Joseph Henry Sharp, and Millard Sheets. Nicholson also purchased materials for institutions such as the Field Museum of Natural History, the Honolulu Academy of Arts, the Los Angeles Museum of History, Science, and Art, the Pasadena Art Museum, and the Southwest Museum in Los Angeles, California. Her intimate relationships with Native Americans give particular insight into their lives and culture. Historians and academics sought her out, including Alfred Lewis Kroeber, Charles Fletcher Lummis, and Clinton Hart Merriam. Nicholson also received letters from political figures such as Frederick Webb Hodge, Herbert Hoover, Hiram Johnson, and Franklin D. Roosevelt.
mssNicholsog