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The Cliff Dwellers : World's Columbian Exposition
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The originator of the world's Columbian Exposition
Visual Materials
Image of a torso-length portrait of Dr. Charles W. Zaremba, credited with the idea that led to the World's Columbian Exposition in Chicago, Illinois; he holds a card with an image of a statue captioned, "Monument to Christopher Columbus. City of Mexico, Mexico." in his right hand, and his left elbow rests on a pile of books on a table.
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World's Columbian Exposition
Visual Materials
The Glendora Historical Society of B.D. Jackson Photographs and Negatives consists of 1202 black-and-white and color photographs (including postcards, stereographs, mounted photographs, and photograph albums) and 202 black-and-white and color negatives created by B.D. Jackson and/or collected by Jackson, his wife Cora, and his stepdaughter Ruth, 1893-1951 (bulk 1920s-1930s). The collection provides a broad overview of the growth of many of the San Gabriel Valley's suburban communities as well as a survey of many notable landscapes of California and the American West. It also gives an overview of Jackson's career as a commercial, landscape, and scenic view photographer, and contains family photographs. The collection supplements and complements the B.D. Jackson Collection of Negatives and Photographs (photCL 332). Many of the negatives in the Jackson Collection exist in print form in the Glendora Collection, and many of the images in the Glendora Collection round out series in the Jackson Collection.
photCL 448
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The Columbian exposition album ... World's Columbian exposition, Chicago, 1893
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World's Columbian Exposition 1893. Chicago, Ill., U.S.A
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Image of an aerial view of the plans for the World's Columbian Exposition buildings along the lakeshore in Chicago, Illinois; names of several buildings and exhibits planned are labeled, including "naval exhibit" and "fine arts" near each location; steamships and sailboats visible on the lake; bust portraits of Christopher Columbus and George Washington in oval frames at top right and left.
priJLC_FAIR_001688
Bird's-eye view of the World's Columbian Exposition, Chicago, 1893
Visual Materials
Image of an aerial view of the World's Columbian Exposition buildings in Chicago, Illinois, along the lakeshore; names of the buildings and exhibits are listed in the bottom margin, with a key to find each location on the map; steamships and sailboats visible on the lake.
priJLC_FAIR_001694
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Subseries C. World's Columbian Exposition of 1893 (small size)
Visual Materials
The Jay T. Last collection of fairs and expositions prints and ephemera contains more than 1,900 printed items that relate to fairs, exhibitions, expositions, and other similar gatherings and events in the United States from 1834 to 1970, with the bulk of material pertaining to the United States Centennial Exhibition held in Philadelphia, Pennsylvania, in 1876. The collection consists of advertising prints, promotional ephemera, business records, and illustrations produced for specific events, for exhibitors at these events, and for businesses that provided collateral services to event-goers including food, lodging, and transportation. Prints and ephemera pertaining to international, regional, and local fairs and expositions make up the collection. The bulk of the material is related to the United States Centennial Exhibition held in Philadelphia, Pennsylvania in 1876, but also prominent are materials related to the 1893 World's Columbian Exposition held in Chicago, Illinois, to commemorate the 400th anniversary of explorer Christopher Columbus' arrival in the New World. Other fairs and exhibitions represented in the collection include the Great International Exhibition in London, England, the Panama-Pacific International Exposition in San Francisco, California, the Exhibition of the Industry of All Nations in New York City, the World's Industrial and Cotton Centennial Exposition in New Orleans, Louisiana, and various local county fairs.The collection touches on topics of American business development, tourism, industrial advances, agricultural exhibitions, community events and celebrations. The images are primarily promotional in nature and provide information about the history of fairs and expositions in the United States and their roles in both small and large communities, as well as the evolution of advertising strategies in the 19th and early 20th centuries. The collection also reflects America's progression from a rural agricultural society to an urban industrial environment, and the technological innovations that developed during this transformation. As graphic materials, the items offer evidence of printmaking techniques and trends, as well as information about the artists, engravers, lithographers, printers, and publishers involved in the creative process.
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