Rare Books
Officer 666
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Group 666: Chalcographic du Louvre
Manuscripts
This collection contains of the business records of the Merrymount Press and the related papers of its founder Daniel Berkeley Updike (1860-1941). The bulk of the collection consists of financial volumes; correspondence with customers, publishers, illustrators, craftsmen, and suppliers; bills; estimates; and scrapbooks with specimens of work. While the majority of the correspondence is comprised of letters, there are occasionally proofs, specimens, and cloth, paper, fabric samples, etc., found with the correspondence. The records reflect Updike's involvement with printing across the United States and in Europe, though much of his work was produced for clients in Massachusetts, Rhode Island, and New York City. Some of the correspondence reflects Updike's personal interests including Rhode Island history and churches and charitable work with poor children as well as prison inmates.
mssMerrymount
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Catlin, George, 1796-1872. Drawings. FAC 666
Manuscripts
Copy from New York Public Library.
mssHM 35183
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Pasadena. Pasadena Market. 666 East Colorado. Grand opening
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402