Rare Books
Sights and scenes of Santa Barbara and how to reach them
Image not available
You might also be interested in
Image not available
Scenes at Mission Santa Barbara
Visual Materials
The collection consists of 298 photographs, 1878-1951 (bulk 1890-1915), collected by Orrin Peck, portraitist and landscape painter, and his sister Janet. Primarily portraits, the photographs depict friends and acquaintances (both identified and unidentified) of Orrin and Janet Peck, with particular emphasis on Phoebe Apperson Hearst and William Randolph Hearst. Also included are California scenes, including numerous views of San Francisco; unidentified residential exteriors and interiors; views of Mrs. Hearst's home, La Hacienda del Pozo de Verona in Alameda County, California; and views of William Randolph Hearst's castle "Wyntoon" (designed by architect Julia Morgan) near Mount Shasta, California. Photographers represented in the collection include Adt Portrait Studio, Waterbury, Connecticut; Joseph Albert, Munich; James C.H. Balmain, Edinburgh; Adolphe Braun, Paris; Bushnell Photo Company, San Francisco/Oakland/San Jose; Edgar A. Cohen, Alameda; Coover and Rasmussen, San Francisco; Alfred Ellis and Walery, London; Falk, New York City; Amasa P. Flaglor, San Francisco; Arnold Genthe; Theodore Gubelman, Jersey City; Franz Hanfstanegl, Munich; Frederick O. Haussler, San Francisco; C. Holzer, Munich; Thomas Houseworth, San Francisco; Imperial Photographic Gallery, San Francisco; C.W.J. Johnson, Monterey; Charles Lainer, San Francisco; Charles Lallie, London; Joseph Leeb, Munich; Ludovici's Photographic and Crayon Studios, New York; Theodore C. Marceau, New York; Luigi Montabone, Florence; G.D. Morse, San Francisco; Gabriel Moulin, San Francisco; Fried Muller, Munich; A.J. Neale, Worcester; Nelson and Bailey, Bakersfield; Pach Brothers, New York and Cambridge; Parker, Washington, D.C.; Piggott; Prince, New York, Washington, D.C.; N.H. Reed, Santa Barbara; Ruesch and Reisch; San Francisco Gallery, Towne, Photographer, Portland, Oregon; Sarony, New York; J.B. Scholl, Philadelphia; Herbert E. Simpson, Toronto; Isaiah West Taber, San Francisco; Carl Teufel, Munich; Louis Thors, San Francisco; Hector M. Vaughan, San Francisco; Vaughan and Keith, San Francisco; R.J. Waters, San Francisco;and White, New York.
photCL 359
Image not available
Scene at Santa Barbara. (Imprint no: 356)
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555