Rare Books
1929-1933 : A talk ... before the Society of Typographic Arts at the opening of the seventh annual exhibition of Chicago fine printing
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The hand press : an essay written and printed by hand for the Society of Typographic Arts, Chicago
Rare Books
214047
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Seventh annual exhibition : the Pennsylvania society of miniature painters
Visual Materials
The Jay T. Last collection of artist posters contains over 370 printed works spanning over eighty years, from 1883-1964. The bulk of the materials date from 1890 to 1900 and advertise American literary books and periodicals. Bicycles, household goods, and other products are also advertised. Notable artists represented in the collection include Will Bradley, Maynard Dixon, J. J. Gould, Edward Penfield, Ethel Reed, and Louis Rhead. Subjects addressed within the collection include international art styles (such as Art Nouveau), fashion, graphic design, publishing, book and literary journal publication, product advertising, and the intersections between them, especially during the last decade of the 19th century.
priJLC_ART_003235
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The Fine Art Society. Early English Water-Colours and Drawings : Spring Exhibition
Manuscripts
This collection contains research files of English art historian R. B. Beckett, chiefly consisting of study photographs and clippings collected from the late 1940s to early 1960s documenting the works of John Constable and other English artists including William Blake, Thomas Gainsborough, Thomas Rowlandson, J. M. W. Turner, and Richard Wilson. In addition there are also images and clippings related to English portraiture, as well as sporting and comic images. The artist research files contain study art photographs and clippings, with some occasional correspondence and notes and manuscripts by Beckett. Six artists (Blake, Constable, Gainsborough, Rowlandson, Turner, and Wilson) are distinguished as their own subseries, and their files typically contain study photographs, article clippings, some scattered manuscripts and correspondence, and exhibition catalogues. The largest of these are the John Constable files (Boxes 3-9), which includes seven boxes of study images. Other art images in the collection are arranged either in the "Artists (various)" subseries (Box 13) or in the "Portrait artists" subseries (Boxes 14-15). While some of the images are professional photographs acquired from museums, most of the images are clippings from British magazines such as The Connoisseur and Burlington. Most of the images are not annotated or only contain brief handwritten identifications typically of the artist, painting title, date, dimensions, etc. Overall there are very few manuscripts by Beckett in the collection. Exceptions consist of a sketchbook from the late 1920s containing pencil sketches of landscapes by Beckett and a few documents. The correspondence is chiefly from galleries, museums, and publishers related to Beckett's research and publications.
mssBeckett