Rare Books
Aspects of art & science : prints and text
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The Seaside in Art
Visual Materials
One set of art reproductions entitled The Seaside in Art, by Pedro J. Lemos, published by The School Arts Magazine, The Davis Press, Worcester, Massachusetts, 1922. A portfolio of 16 numbered plates of various images of the ocean, ships, fish, shells, etc. comprise the set, which is accompanied by an 8-page introduction by Pedro J. Lemos. Each numbered plate contains a few lines of descriptive or explanatory text below the images. The represented artworks are by various artists. "The Seaside in Art" is printed in the upper left-hand corner of each plate, along with a category in the upper right-hand corner: Plates 1-2 Marine Painting; Plate 3 Outdoor Sketches; Plate 4 Wave Studies; Plate 5 The Sea Coast; Plate 6 Decorative Composition; Plate 7 Sea Scenes; Plate 8 Seaweeds; Plate 9 Shell Fish Designs; Plate 10 Sea Shell Designs; Plate 11 Decorative Fish; Plate 12 Applied Fish Designs; Plate 13 Ship Designs; Plate 14 Ship Designs; Plate 15 Applied Sea Designs; Plate 16 Applied Ship Designs. The plates are housed in an illustrated folder. A blind embossed letter "S" (Mabel Spofford) is stamped at the top of each of the plates.
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Fine three-colour process printing inks
Rare Books
"We have pleasure in submitting in this new specimen book a range of some our latest Three-Colour Process Inks. ... Preceding each series is a brief preface furnishing special information as to certain qualities of the inks--their light resistance, their varnishability, their alkali resistance or otherwise--as well as giving certain hints in regard to the series taken as a whole. The question of light resistance is one which has become in the past few years increasingly important, and we have available information and suggestions which are at all times at our customers' disposal. On the following page are set forth our definitions of the terms which throughout this book are applied to the different inks, and we define exactly what we mean by permanent, fast, etc."--From foreword.
656888
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History of industrial gravure printing up to 1920
Rare Books
"Though there are many histories of printing, in all languages, they deal principally with the printed product. The history of the development of modern printing techniques tends to have been neglected by the historians of technology. Very rare are publications on historical investigations into the technical development of printing processes, printing presses or printing surfaces. In this revised and expanded English version of his book, originally published in German, the author, who is Technical Development Manager to the London Daily Telegraph, provides a fascinating account of the early development of one of the three major printing processes, gravure or intaglio -- industrial gravure, that is to say, as distinct from artists' printmaking"--From dust jacket.
656839

Art Career School
Visual Materials
One flyer advertising Summer Classes at the Art Career School, New York, New York, 1949. This advertisement is for the 1949 summer session, June 20-August 26. Four separate classes are offered: Figure Drawing, Drawing and Painting, Applied Design or Illustration, and Outdoor Sketching. The sheet is folded into eighths within a blue paper folder, the first two pages of which are text and the latter six of which are (reproductions) illustrations, presumably artworks created in previous summer school classes. The cover title reads: "Art Career School." The item is accompanied by an unused mailing envelope with the school's name printed on it.
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Printed Material: play texts, clippings, scrapbook, musical scores
Manuscripts
The majority of the collection consists of manuscripts, correspondence, documents, drawings and ephemera directly related to James Robinson Planché and his work in the theatre, antiquarian pursuits, and costume expertise. Among the authors and correspondents are: John Baldwin Buckstone, William E. Gladstone, Benjamin Robert Haydon, Leigh Hunt, Ellen Kean, Frances Maria Kelly,Charles Kemble, Albert Denison (Baron Londesborough), Rosina Bulwer Lytton (Baroness Lytton), William Charles Macready, Richard Brinsley Peake, Jane Porter, David Roberts, William Makepeace Thackeray, and Carl Maria von Weber. The other main part of the collection is material, including fragments and clipped signatures, which were collected for the autograph value only, and have no relation to Planché or his work. Among these authors and correspondents are: Adelaide, Queen consort of William IV, William Blanchard, Richard Daly, Thomas Frognall Dibdin, George III, Edwin Henry Landseer, Robert Peel, William Pitt, Lucia E.B. Vestris, and Arthur Wellesley (Duke of Wellington). There is also a small group of letters written to Thomas Francis Dillon Croker, mainly regarding Planché and his work and family. The ephemera consists of printed material, including printed play texts, newspaper clippings, a scrapbook, and printed musical scores.
mssJP 1-361

Art in Dress with Notes on Home Decoration
Visual Materials
One instructional book entitled Art in Dress with Notes on Home Decoration, second edition, by Lydia Bolmar and Kathleen McNutt, published by Manual Arts Press, Peoria, Illinois, copyright 1917. This 46-page book is "in fact, a textbook on art as applied to dress and home decoration . . . intended for the use of students in domestic art courses." (Introduction, p. 3) The chapters address such issues as basic principles of design and arrangement, dress and its relation to the wearer, color, and home decoration. The book is illustrated with black and white line drawings, and features three fold-out plates intended for practice of the principles outlined in the book. The title on the front cover is framed with a decorative border; the inside of the front cover and both sides of the back cover are blank. Pages 43-46 contain publisher's advertisements for books on related subjects. "Mabel Spofford" is written in ms. at the top of the front cover, as well as below the title on the title page. An embossed stamp of the letter "S" is on the upper right-hand corner of the title page. Laid in is the February 1916 issue (single sheet, double sided) of The Applied Arts Bulletin.
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