Rare Books
The islanders : a romance of Martha's Vineyard
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![[Chart of Nantucket Island and the eastern half of Martha's Vineyard]](/_next/image?url=https%3A%2F%2Frail.huntington.org%2FIIIF3%2FImage%2F22APN4KO49P5%2Ffull%2F%5E360%2C%2F0%2Fdefault.jpg&w=750&q=75)
[Chart of Nantucket Island and the eastern half of Martha's Vineyard]
Visual Materials
Title supplied by cataloger. Kashnor notes, "A rare chart, giving a fine map of Nantucket Island and part of Martha's Vineyard. It was issued at a critical time during the American Revolution, when the passage would be resorted to in case of Boston Harbour not being available." Map contains sailing and anchoring instructions and fine map of Chapaquidick Island. Place of publication: Des Barres was known to work in London. Folded once.. Prime meridian: GM. Relief: pictorial & hachures. Graphic Scale: Miles, statute & nautical. Projection: Cylindrical. Watermark: Crowned fleur-di-lis over LCV J Bates. Printing Process: Copper engraving. Verso Text: MS notes: 100 19.
093:100 M
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Contributions to the geology of Block Island, Martha's Vineyard, and Nantucket: manuscript
Manuscripts
This manuscript, written while Merrill was attending the Columbia School of Mines, discusses the geology of Block Island, Martha's Vineyard and Nantucket Island. It includes maps and charts (some hand drawn).
mssHM 70717
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[Coastline from Long Island to Buzzards Bay, Martha's Vineyard, and Nantucket]
Manuscripts
Journal that André kept while aide-de-camp to Charles Grey, from June 11, 1777 to November 15, 1778. There are no entries for the period from Dec. 30, 1777 to June 1778. The journal covers the Philadelphia campaign and its aftemarth, including the battles of Brandywine, Germantown, White Marsh, and Monmouth; British raids in New Bedford (1778, Sept. 5-6) and Martha's Vineyard (1778, Sept. 10-15) and Baylor's massacre at Old Tappan, N.J. (1778, Sept. 27) Also included are returns of troops under the command of Sir William Howe and Henry Clinton.
HM 3095
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[People in front of small house, in Martha's Vineyard]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555