Rare Books
Sword of the pyramids
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Campbell, Mary B. "Regarding the Pyramid:" [excerpt], [undated]
Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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Pyramid
Manuscripts
Professional and personal papers of Otis R. Marston and his collection of the materials on the history of Colorado River and Green River regions.
mssMarston papers
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Pyramids
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487