Rare Books
Household rhythm
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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Manuscripts
The collection consists of the literary and personal papers of American novelist, essayist and political activist Mary Hunter Austin (1868-1943), best known for her portrayals of life in California and New Mexico. It includes correspondence and literary manuscripts by both Austin and numerous other authors, editors and friends, as well as ephemera and photographs. Literary manuscripts include Austin's personal journals, short stories, poems, essays, and numerous drafts of novels. The correspondence deals with Austin's personal life and business dealings as well as her activities with Indian rights and the water right controversies in California's Owens Valley and in the Southwest. There are also materials related to Austin's interests in folklore and religion in New Mexico and the Southwest. The more than 1,200 photographs in the collection date from 1869 to the 1920s and include personal and family photographs of Mary Austin, her friends, relatives, homes, and various topics related to her interests.
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