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Inside view of slavery, or, A tour among the planters
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Inside views
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"'Inside Views' is a series of open windows. Open to the exterior. To the night, the other night, any night, as if the day had never existed. Windows on the voracious, sprawling, inhuman, limitless city, the city without end ... Every image is a natural diptych--with no artifice or retouching--juxtaposing a calm, intimate, Apollonian foreground in which there is an isolated figure, as if having found itself at last, and a background featuring the teeming, Dionysian city, illuminated by ocelli of light scattered through the darkness. The tension comes from the coexistence in one and the same landscape, of a series of opposites: inside and outside, light and darkness, solitude and multiplicity, flatness and relief, emptiness and fullness, immobility and movement, silence and noise, identity and anonymity"--From introductory essay.
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Inside View of Fort Hall
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Image is of two raised structures in the back and long low buildings on the left and right seen from the interior of the fort. There are several persons in the yard. This image is one of a pair of views of Fort Hall. "Published at the Union Office."--text, below image. "Noisy Carrier's Publishing Hall. Long Wharf San Francisco."--stamped text, below image to the left. Paper color: buff.
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No. 6. View inside Sadd
Visual Materials
The Aswan Dam Photographs collection contains 28 albums containing more than 1750 black-and-white photographs (most approximately 8 x 10 in. format), documenting the construction of the first Aswan Dam and Asyut Barrage from 1899 to 1902, the first dam heightening from 1907 to 1912, the Isna Barrage from 1907 to 1909, and the second heightening from 1930 to 1933. The images chiefly chronicle progress at the construction sites and depict laborers, masonry work, excavating, the transportation of materials and equipment, and the building of the locks, buttresses, gates, canals, and bridges, with many views of the Nile River. In addition there are images of repairs to the temple at Philae (in Albums 1, 3b, 4, and 12), and some photographs of ceremonies including the H.R.H. The Duke of Connaught laying the foundation stone on February 29, 1908 (Album 10, pages 8-9), and the laying of the final stone with Abbas II Hilmi, the Khedive of Egypt, on February 9, 1909 (Album 5, page 24).The collection consists of both nondescript albums with affixed photographs accompanied by typed or handwritten captions, as well as more formal presentation albums, which include inscriptions of W. L. Lowe Brown, resident engineer at the Asyut Barrage (Album 1); John Aird, whose company constructed the dam (Albums 2, 6, and 8) Murdoch MacDonald, chief engineer beginning in 1902 (Album 3); While most of the albums are limited to photographs and captions, Album 1 and 2 have an eight-page printed preface by William E. Garstin and Albums 5 and 6 have two introductory pages of printed explanatory notes by Murdoch MacDonald. Photographers engaged in documenting the construction and heightening projects were D.S. George (construction of the Aswan Dam and first heightening), F. Fiorillo (first heightening), A. Gianny (viewing of Aswan Dam), A. Marques (first heightening), and other unidentified photographers. Within the materials, there are variant spellings of Aswan including Assuan and Asswan.
photCL Burndy 1
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"Uncle Tom's Cabin" contrasted with Buckingham Hall, the planter's home, or, A fair view of both sides of the slavery question
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