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Six weeks on horseback through Yellowstone Park
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Yellowstone Park
Visual Materials
The B.D. Jackson Collection of Negatives and Photographs consists of 804 4 x 5 in. and 8 x 10 in. glass plate negatives, 1782 film negatives (including stereo negatives), 2302 black and white photographs (including stereos, postcards, and photograph albums), and related manuscript and ephemeral materials, 1903-1950s (bulk 1920s-1930s), that provide a visual history of the growth of many of the San Gabriel Valley's suburban communities, a survey of many of California's (and the western United States') notable landscapes, and an overview of Jackson's career as a landscape and scenic view photographer.
photCL 332
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Views of Yellowstone Park
Visual Materials
The B.D. Jackson Collection of Negatives and Photographs consists of 804 4 x 5 in. and 8 x 10 in. glass plate negatives, 1782 film negatives (including stereo negatives), 2302 black and white photographs (including stereos, postcards, and photograph albums), and related manuscript and ephemeral materials, 1903-1950s (bulk 1920s-1930s), that provide a visual history of the growth of many of the San Gabriel Valley's suburban communities, a survey of many of California's (and the western United States') notable landscapes, and an overview of Jackson's career as a landscape and scenic view photographer.
photCL 332
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National Parks. Wyoming. Grand Teton National Park and Yellowstone National Park
Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375
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Overland Six automobile and woman on horseback
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
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Three women on horseback in Brookside Park
Visual Materials
The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.
photCL 402
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Yellowstone
Visual Materials
The Glendora Historical Society of B.D. Jackson Photographs and Negatives consists of 1202 black-and-white and color photographs (including postcards, stereographs, mounted photographs, and photograph albums) and 202 black-and-white and color negatives created by B.D. Jackson and/or collected by Jackson, his wife Cora, and his stepdaughter Ruth, 1893-1951 (bulk 1920s-1930s). The collection provides a broad overview of the growth of many of the San Gabriel Valley's suburban communities as well as a survey of many notable landscapes of California and the American West. It also gives an overview of Jackson's career as a commercial, landscape, and scenic view photographer, and contains family photographs. The collection supplements and complements the B.D. Jackson Collection of Negatives and Photographs (photCL 332). Many of the negatives in the Jackson Collection exist in print form in the Glendora Collection, and many of the images in the Glendora Collection round out series in the Jackson Collection.
photCL 448