Rare Books
Reflections in a golden eye
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The responsive eye
Rare Books
The Responsive Eye, an exhibition of more than 120 paintings and constructions by 99 artists from some 15 countries, documents a widespread and powerful new direction in contemporary art. These works exist less as objects to be examined than as generators of perceptual responses in the eye and mind of the viewer. Using only lines, bands and patterns, flat areas of color, white, gray or black or cleanly cut wood, glass, metal and plastic, perceptual artists establish a new relationship between the observer and a work of art. These new kinds of subjective experiences, which result from the simultaneous contrast of colors, after-images, illusions and other optical devices, are entirely real to the eye even though they do not exist physically in the work itself. Each observer sees and responds somewhat differently.
637014
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A comp's-eye view of Emerson G. Wulling
Rare Books
Emerson Wulling printed for pleasure for over nintey years. He received a masters degree in printing history from Harvard in 1928, and a Ph. D. from the University of Minnesota in 1938, the same year he married Jean Laurier Crocker. They settled in a modest home near the University of Wisconsin-La Crosse, where they raised three children. The quintessential hobby printer, he maintained his shop in several locations over the years, producing a variety of books, pamphlets, and ephemera. An English professor and lover of books, his printing, with much of the text written by himself, consistently displays a lively sense of humor and a clever literary wit.
647836
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Motion Picture: Golden Eye, 1995 (4)
Visual Materials
This collection consists of photographs of billboards located in situ primarily in and around Los Angeles and, to a lesser extent, San Diego, from approximately 1930-1996 (bulk 1950-1989). The photographs, which are principally color slides (35mm) and film negatives (both black-and-white and color), were created by Pacific Outdoor Advertising Company (POA) and Gannett Outdoor Company for internal purposes and represent advertising for a wide variety of businesses, consumer products, and services, including beverages (many for beer and liquor); food; cigarettes and tobacco; transportation (especially automobiles, airlines and bus lines); hotels; restaurants; motion pictures; charitable and non-profit organizations, including regional cities and civic campaigns; political candidates for local and state elections; public service announcements (such as air raid and Cold War-related ads); radio and television stations; oil and gasoline companies; cemeteries; clothing companies; department stores; recreational facilities; and other commercial, political, civic, and institutional clients. In addition, there are images related primarily to Pacific Outdoor Advertising (POA) Company operations such as client presentations, billboard production and installation, corporate facilities and the POA helicopter. Aerial views taken throughout Southern California document the various markets in which the company placed signage.
Group 1321
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Iron mustang
Rare Books
"All Slocum and his friends were after was the money they busted their butts for. But chasing it down turned into the biggest mistake of their lives. The trouble started when they stopped the wrong train and found themselves in the thick of the wildest getaway ever conceived. Captives of a small army of experienced killers in a brothel on wheels, they were trapped on an iron mustang that was surely bound for hell"--Back cover.
644158
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Court of Reflections, Golden Gate International Exposition
Visual Materials
The collection consists of 298 photographs, 1878-1951 (bulk 1890-1915), collected by Orrin Peck, portraitist and landscape painter, and his sister Janet. Primarily portraits, the photographs depict friends and acquaintances (both identified and unidentified) of Orrin and Janet Peck, with particular emphasis on Phoebe Apperson Hearst and William Randolph Hearst. Also included are California scenes, including numerous views of San Francisco; unidentified residential exteriors and interiors; views of Mrs. Hearst's home, La Hacienda del Pozo de Verona in Alameda County, California; and views of William Randolph Hearst's castle "Wyntoon" (designed by architect Julia Morgan) near Mount Shasta, California. Photographers represented in the collection include Adt Portrait Studio, Waterbury, Connecticut; Joseph Albert, Munich; James C.H. Balmain, Edinburgh; Adolphe Braun, Paris; Bushnell Photo Company, San Francisco/Oakland/San Jose; Edgar A. Cohen, Alameda; Coover and Rasmussen, San Francisco; Alfred Ellis and Walery, London; Falk, New York City; Amasa P. Flaglor, San Francisco; Arnold Genthe; Theodore Gubelman, Jersey City; Franz Hanfstanegl, Munich; Frederick O. Haussler, San Francisco; C. Holzer, Munich; Thomas Houseworth, San Francisco; Imperial Photographic Gallery, San Francisco; C.W.J. Johnson, Monterey; Charles Lainer, San Francisco; Charles Lallie, London; Joseph Leeb, Munich; Ludovici's Photographic and Crayon Studios, New York; Theodore C. Marceau, New York; Luigi Montabone, Florence; G.D. Morse, San Francisco; Gabriel Moulin, San Francisco; Fried Muller, Munich; A.J. Neale, Worcester; Nelson and Bailey, Bakersfield; Pach Brothers, New York and Cambridge; Parker, Washington, D.C.; Piggott; Prince, New York, Washington, D.C.; N.H. Reed, Santa Barbara; Ruesch and Reisch; San Francisco Gallery, Towne, Photographer, Portland, Oregon; Sarony, New York; J.B. Scholl, Philadelphia; Herbert E. Simpson, Toronto; Isaiah West Taber, San Francisco; Carl Teufel, Munich; Louis Thors, San Francisco; Hector M. Vaughan, San Francisco; Vaughan and Keith, San Francisco; R.J. Waters, San Francisco;and White, New York.
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