Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Yellowstone national park; or, The great American wonderland : a complete description of all the wonders of the park
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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Manuscripts
The Albert R. Hibbs Papers, 1884-2009 (80 boxes) document the personal life and career of Hibbs as a manager and scientist at the Jet Propulsion Laboratory (JPL), the relationships between JPL, the National Aeronautics and Space Administration (NASA), and the California Institute of Technology (Caltech), and the development of the solar system exploration programs. Hibbs' consulting work for television and radio programs, Biosphere 2, and Morgantown Area Rapid Transit System (MARTS) are also documented. Although the collection arrived at The Huntington in disarray, original order of the materials was maintained when possible and the arrangement reflects Hibbs' general organization by correspondent, subject, or format of materials. The collection is divided into ten series: Audio Visual Materials, Consulting Files, Jet Propulsion Laboratory (JPL), Notebooks, Personal Files, Photographs and Negatives, Presentations and Speeches, Publications and Writings, Teaching Files, and Oversize. The bulk of collection materials date from 1931 to 1999 and consists of audio and video tapes, clippings, correspondence, memoranda, notes, photographs, publications, speeches, and writings. As the collection is arranged by both subject and format of the materials, researchers should be aware that materials are often dispersed through the series. For example, materials related to specific subjects are frequently represented in the JPL and Notebooks Series; similarly, Hibbs' friendship and collaboration with Roy L. Walford is documented in the Correspondence and Aging Research and Writings subseries of the Personal Series, in the Space Bioshpheres Ventures subseries of the Consulting series, as well as in the Audio Visual Materials Series. Correspondence is also dispersed throughout the series.
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Visual Materials
The Peabody Collection consists of 672 glass plate negatives in various sizes, 1054 film negatives in various sizes, 24 photograph albums, 887 loose photographs in a variety of formats, published works, and manuscript material, created and collected by Henry G. Peabody, 1859-1993 (bulk 1890s-1900s). The materials collectively describe Peabody's long career as a commercial landscape photographer working on both the east and west coasts of the United States. The photographs and negatives depict Peabody and his family; landscape views in New England, Canada, the western United States, California, and Mexico; Native Americans; city and landscape views in Great Britain, France, and Switzerland; portraits; architectural renderings; plants and animals; unidentified landscapes; and miscellaneous images. Additional photographers and photographic firms represented in the collection include Alexander Hesler, Charles F. Lummis, and Spence Air Photos. The published works contain photographs by Peabody. The manuscript material provides information about Peabody's negatives; contains catalogs of Peabody's works for sale; describes Peabody's commercial dealings as both a photographer and seller of photographic equipment; and contains ephemeral material collected by Peabody throughout his life.
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