Rare Books
Behind the veil
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Behind the Veil of Ultra-Violet
Manuscripts
The Samuel G. Hibben collection is divided into four sections: articles, photographs, correspondence, and ephemera. The bulk of the collection consists of articles, both handwritten and printed, and most written by Hibben. The rest are lighting-related articles kept by Hibben, sent to him by colleagues or through the Westinghouse Company. These articles are arranged alphabetically by title, in Boxes 1-3. Box 4 contains articles specifically related to projects in which Hibben was involved, such as the lighting of the Statue of Liberty or the 1939 New York World's Fair, and committees he was a part of, such as the Electrical Historical Foundation. Box 5 contains miscellaneous unattributed articles, and photographs, mostly of the 1939 New York World's Fair, the White House, and various landmarks being lit at night. Box 6 contains correspondence, arranged by date, most being either written by Hibben or directed to his attention. The majority of this correspondence relates to various electrical committees. Box 7 consists of ephemera, and includes photographic negatives, diagram sketches, and blueprints.
mssHibben
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Veils
Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487