Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Magazine of travel ; a work devoted to original travels, in various countries, both of the Old World and the New
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
The Jonathan D. Bulkley collection of illustrated billheads and letterheads contains about 36,000 billheads, letterheads, flyers, and other ephemera relating to commerce and industry in the United States from 1758 to 1952, with the bulk of the items dating from 1840 to 1910. While most of the items document products or services manufactured by American companies, countries such as Cuba, France, Great Britain, Germany, and Mexico are represented as well. Imagery and text on the materials pertain to the history of production, finance, consumerism, and advertising. Many of the items include graphic logos, decorative images of views of storefronts and factories, and detailed representations of the various products manufactured for sale. Typography on the materials also include visual motifs of varying text styles and printing techniques. The collection contains items that are both engraved, as well as lithographed. Some of the recurrent printers and lithographers of items in the collection include: Baldwin & Gleason Co.; Geo. D. Barnard & Co.; Britton & Rey; J.H. Bufford's Sons; Calvert Lithography Co.; Clay & Richmond; Cosack & Company; H.S. Crocker & Co.; George F. Frauenberger; Fuchs & Lang Manufacturing Co.; A. Gast & Co.; Gies & Co.; Gillies Lithographing and Printing Co.; Heinecke-Fiegel Lithographing Co.; Henderson Lithographing Co.; A. Hoen & Co.; Krebs Lithographing Co.; Charles Magnus & Co.; Mayer & Merkel; W.J. Morgan & Co.; J. Ottmann Lithographing Co.; Henry Seibert & Brothers; Sage, Sons & Co.; and Sarony, Major & Knapp.
priBulkley
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Rare Books
This collection of railroad ephemera, photographs, prints and posters concerns only streamliner trains--the wind-resistant, "streamlined" designs first appearing on major U.S. railroads in 1934 and peaking in the glamour years of the American streamliner, late 1930s to 1955. The sleek, fast trains were promoted for their speed, luxury and comfort compared to older, heavyweight steam locomotives. The bulk of the collection is composed of passenger brochures, with especially extensive files on Union Pacific; Southern Pacific; New York Central; Chicago, Burlington and Quincy ("the Burlington"); and the Atchison, Topeka and Santa Fe ("the Santa Fe") railroads. There are also many materials on Amtrak (formed in 1971), and foreign railroads, particularly in Canada, Europe and Japan. Besides brochures, other printed materials include: manufacturer's pamphlets, employee newsletters, press releases, blueprints of railcars, copies of U.S. Patent Office design applications, menus, lounge car stationery, baggage stickers and other items. The photographs are mostly railroad-issued 8 x 10-inch prints showing train exteriors and richly designed dining cars, lounge cars, sleeping cabins and domed observation cars. There are also many high-quality small-format photographs made by Leslie Merrill and other amateur photographers, 1938 to 1960s. The prints and posters mostly consist of promotions for U.S. railroads, with several notable pre-World War II posters for European railroads. An important section of the collection covers early streamlining experiments of the late-19th century: Samuel R. Calthrop's "air-resisting" train of 1865; Frederick U. Adams's "Windsplitter" of 1893; Joe V. Meigs' "Meigs Elevated Railway" monorail in 1880s Boston; and William Riley McKeen Jr.'s aerodynamic McKeen Motor Car of the 1900s. In addition to railroad history, other topics of social and cultural historical interest are: Depictions of African Americans and Native Americans in mass-marketed train travel brochures. There are many examples that reflect American cultural and class stereotypes in the early- to mid-20th century. History of food and drink: See numerous dining car and beverage menus (not always noted in container list). History of advertising, graphic design and typography represented in 20th-century railroad print advertising.
646607_42
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Manuscripts
The manuscripts include two complete copies of Pflueger's book New paradise lost as well as draft pages and notes for the novel. There are also papers and essays written by Helen in high school and later in life as well as copies of writings and poems by Helen and others. The diaries span the years 1911 to 1979. The diaries include daily entries with detailed information about Helens' daily activities: visits to friends, seamstress work, trips taken, etc. She also talks a lot about her religious beliefs and her struggles to be a good Christian. The majority of correspondence is written by others to Helen but there are a few pieces of correspondence by her (retained copies). There are several letters to and from Rev. Gilbert P. Symons of the Forward Movement of the Episcopal Church and others dealing with her religious beliefs and search for a church to attend. There is also one letter by Edgar Bergen (1941, Apr. 15) in response to a letter Helen wrote to him and "Charlie." There are also a few letters regarding her book New paradise lost (1940). The ephemera includes a variety of material including account books, address books, bank statements, biographical information, financial papers, medical papers, calling cards, church bulletins, dress patterns, family estate papers (including a copy of Helen's will), greeting cards, newspaper clippings, photographs, school notebooks and a recipe book. Some of the newspaper clippings deal with Sierra Madre, California. There are also three rolled items: two diplomas from the Minneapolis School of Music (1919-1920) and a painting of Helen Pflueger.
mssPflueger papers
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Manuscripts
The manuscripts include two complete copies of Pflueger's book New paradise lost as well as draft pages and notes for the novel. There are also papers and essays written by Helen in high school and later in life as well as copies of writings and poems by Helen and others. The diaries span the years 1911 to 1979. The diaries include daily entries with detailed information about Helens' daily activities: visits to friends, seamstress work, trips taken, etc. She also talks a lot about her religious beliefs and her struggles to be a good Christian. The majority of correspondence is written by others to Helen but there are a few pieces of correspondence by her (retained copies). There are several letters to and from Rev. Gilbert P. Symons of the Forward Movement of the Episcopal Church and others dealing with her religious beliefs and search for a church to attend. There is also one letter by Edgar Bergen (1941, Apr. 15) in response to a letter Helen wrote to him and "Charlie." There are also a few letters regarding her book New paradise lost (1940). The ephemera includes a variety of material including account books, address books, bank statements, biographical information, financial papers, medical papers, calling cards, church bulletins, dress patterns, family estate papers (including a copy of Helen's will), greeting cards, newspaper clippings, photographs, school notebooks and a recipe book. Some of the newspaper clippings deal with Sierra Madre, California. There are also three rolled items: two diplomas from the Minneapolis School of Music (1919-1920) and a painting of Helen Pflueger.
mssPflueger papers
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Manuscripts
This collection consists of an autograph album containing handwritten notes, letters, poems, and drawings by approximately 200 friends and acquaintances of American author Charles Warren Stoddard, including leading American literary figures, journalists, poets, critics, politicians, and actors of the late 19th century. Among the many notable contributors are Samuel Clemens, Bret Harte, and Joaquin Miller. The earliest item in the book is an 1863 dedication by Thomas Starr King, and continues with contributions primarily from members of San Francisco literary society beginning in the mid-to-late 1860s through the late 1890s, as well as from friends in other locales where Stoddard lived or traveled including Louisville, Kentucky; Washington, D.C.; Massachusetts; New York; and Hawaii. A letter from L.C. Bayles (page 23) introduces lines of verse with the note "in accordance with your request," reflecting Stoddard's curation of the album as a compendium of verse and personal sentiments tailored towards friendships and literary musings. The volume includes two photographs of groups of men and women, captioned, "Riverdale, N.Y., July 4th 1890" (page 116). There are manuscript poems and lines of verse, often penned specifically for Stoddard, from literary friends including Isaac Hull Adams; Daniel Dulany Addison; Benjamin Parke Avery; William Barry; Fred Buel; James F. Bowman; George Burrows; Carrie Carlton; Bliss Carman; Pierre Cauwet; Robert W. Chambers; Sarah M. Clarke; Ada Clare; Katherine E. Conway; Ina D. Coolbrith; R.M. Daggett; Madeleine Vinton Dahlgren; Malcolm Douglas; Theodore F. Dwight; Eugene Field; Hamlin Garland; Grace Greenwood; Bret Harte; Jerome Hart; John Hay; Charles Hinton; Oliver Wendell Holmes Sr.; William Dean Howells; Daniel E. Hudson; Thomas A. Janvier; Tremenheere Johns; Ralph Keeler; George Kennan; Orpheus C. Kerr; Alice Kingsbury (Cooley); Rudyard Kipling; Emilie Lawson; James Linen; Fitz Hugh Ludlow; Adah Isaacs Menken; John Malone; Joaquin Miller; Morton Mitchell and Laddie Mitchell; James Whitcomb Riley; James Jeffrey Roche; Edgar Saltus; Richard Henry Savage; Emma D.E.N. Southworth; Frank Soulé; Bella Z. Spencer; Horatio Stebbins; Maria Longworth Storer (with sketches); J.D. Strong; M.D. Strong; H.A. Stuart; T.R. Sullivan; Bayard Taylor; Charles Wadsworth; Charles Henry Webb; May Wentworth; George Edward Woodberry; and R.C. Wyllie. Prose and letters from L.C. Bayles; Frederick Billings; Ezra S. Carr and his wife, Jeanne C. Smith Carr; Samuel Clemens; Laura Cuppy; G.B. Densmore; Annie Fields; Archibald C. Gunter; Francis King Harte; Louise E. Holden; Jules Luquiens; C.T.H. Palmer; Theodore Roosevelt; Anna Josephin Savage; Rodney L. Tabor; Charles A. Wetmore; Virgil M. Williams; and Thérèse Yelverton. Drawings include ones by Reginald B. Birch; John S. Bugbee; Arthur Lemon; G. Thomas; and Theodore Wores. There are also brief notes and/or signatures of individuals including Charles Francis Adams; Henry Adams; Frances Hodgson Burnett; Ada, Dyas; Louise Imogen Guiney; Iza Duffus Hardy; Clarence King; Francis D. Millet; Thomas Nelson Page; Theodore Roosevelt; Charles Dudley Warner; and Lydia Woodworth. The contents are handwritten on blank pages in an "Album" published by Leavitt & Allen, consisting of 241 pages including an engraved title page and frontispiece and [8] other engraved plates with illustrations by Creswick, W.H. Bartlett, W. Tombleson; J. Smillie and T. Addison Richards; engravings by J. Sartain; J. Bannister; Rawdon, Wright, Hatch & Smillie; J. White; and C.T. Giles. Edges gilt.
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Manuscripts
The manuscripts include two complete copies of Pflueger's book New paradise lost as well as draft pages and notes for the novel. There are also papers and essays written by Helen in high school and later in life as well as copies of writings and poems by Helen and others. The diaries span the years 1911 to 1979. The diaries include daily entries with detailed information about Helens' daily activities: visits to friends, seamstress work, trips taken, etc. She also talks a lot about her religious beliefs and her struggles to be a good Christian. The majority of correspondence is written by others to Helen but there are a few pieces of correspondence by her (retained copies). There are several letters to and from Rev. Gilbert P. Symons of the Forward Movement of the Episcopal Church and others dealing with her religious beliefs and search for a church to attend. There is also one letter by Edgar Bergen (1941, Apr. 15) in response to a letter Helen wrote to him and "Charlie." There are also a few letters regarding her book New paradise lost (1940). The ephemera includes a variety of material including account books, address books, bank statements, biographical information, financial papers, medical papers, calling cards, church bulletins, dress patterns, family estate papers (including a copy of Helen's will), greeting cards, newspaper clippings, photographs, school notebooks and a recipe book. Some of the newspaper clippings deal with Sierra Madre, California. There are also three rolled items: two diplomas from the Minneapolis School of Music (1919-1920) and a painting of Helen Pflueger.
mssPflueger papers
mssHM 35075