Rare Books
Germany's war mania : the Teutonic point of view as officially stated by her leaders
Image not available
You might also be interested in
Image not available
Luxembourg and Germany. Scenic village and city views (not depicting war)
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
Image not available
The generals and the admirals : some leaders of the United States forces in World War II
Rare Books
488858
Image not available
Collection of Civil War photographs including views of City Point and Richmond
Visual Materials
A collection of various Civil War photographs that were bound into an album (now disbound), and were compiled by John P. Nicholson, Civil War veteran and collector. The albumen prints are approximately 10 x 12 1/2 inches, mounted on boards, with a few small, amateur photographs pasted on backs of some boards. The album begins with views of City Point by William Hathaway, including General U.S. Grant's headquarters and other barracks, and civilian men and women aboard a steamboat. Views in Richmond depict Libby Prison, building ruins, and Jefferson Davis' residence. Other subjects are: Lookout Mountain, Tennessee; soldiers and officers; an army camp at Scottstown, Alabama; an army bridge created from boats at Fredericksburg, Virginia (1862); U.S. Colored Troops standing in formation at Camp William Penn, Philadelphia (approximately 1863); Citizens' Volunteer Hospital; and a group of Black and white children, men, and women at "Scott House, opposite Fredericksburg." There are two photographs of illustrations by Civil War artist James E. Taylor depicting the Battle of Vermillion Bayou and Custer's charge through a Cheyenne village, Wyoming (1868). The album is disbound, and four photographs have been matted and housed in Box 2.
photCL 306
Image not available
Official roster of the soldiers of the State of Ohio in the War of the Rebellion, 1861-1866
Visual Materials
105865