Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
The climax of the ages
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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Manuscripts
There are 8,002 pieces of manuscripts, 6,044 of which are by Annie C. Bill. The manuscripts comprise of articles, drafts, essays, excerpts, notebooks, proofs, speeches, statements, and miscellaneous notes. There are 7,218 pieces of correspondence, 1,629 of which are by Annie C. Bill; most of her correspondence comprises of incomplete drafts of letters. The majority of the correspondence includes letters by her publisher, A.A. Beauchamp, Deputy Advisor, John V. Dittemore, officers, and students relating to her religious movement. There are 2,129 pieces of ephemera, the majority being related to Annie C. Bill. The first part of the ephemera is applications, brochures, fliers, and tracts that are arranged according to Bill's religious organization that she joined or led. The remaining ephemera consists of an appointment book, British Museum copyright receipts, Bill's British passport, calling cards, circular letters, empty envelopes, financial records, a greeting card, Kelly's Directors LTD., legal documents, miscellaneous ephemera, newspaper clippings, periodicals, photographs, postcards, and reprints.
mssBill collection
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Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL Ca_3
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Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL Ca_2