Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Unfinished business
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This collection forms part of the John Haskell Kemble maritime collection compiled by American maritime historian John Haskell Kemble (1912-1990). The collection contains 125 artworks dating from 1828 to 1981, with subjects pertaining to and/or depicting maritime vessels, including commercial and military ships. Most are oil paintings, with some watercolors also included.
artJHK 067
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Manuscripts
A collection of approximately 30,000 items which consists of letters, manuscripts, documents, diaries, sketches, photographs, printed material, and scrapbooks related to the lives and work of Charles Erskine Scott Wood and Sara Bard Field Wood. The collection includes material about William Maxwell Wood (1809-1880), C.E.S. Wood's father; papers from C. E. S. Wood's army career, including materials from West Point, Alaska, and the Indian campaigns in the Pacific Northwest; C. E. S. Wood's activities in the development of eastern Oregon (note: there are no papers belonging to Wood's law office); Sara Bard Field's reports on the McNamara case, her life in San Francisco and her associations with journalists, labor leaders, Soviet sympathizers, pacifists, and artists; materials related to Sara Bard Field's work for woman suffrage and women's rights; and C. E. S. Wood and Sara Bard Field Wood's cultural circle, including letters from other writers, critics, publishers, social reformers, artists, sculptors, theatrical figures and musicians. Persons represented in the collection include politicians, journalists, cultural leaders, artists, suffragists, authors, and musicians: Charles Altschul, Roger Nash Baldwin, Alva Belmont, Albert M. Bender, William Rose Beňt, Henriette de S. Blanding, Alfred Brennan, Maurice Browne, George De Forest Brush, Beniamino Bufano, Witter Bynner, Bennett Cerf, Samuel Langhorne Clemens, Clarence Darrow, Kenneth Durant, Max Eastman, Gilson Gardner, Inez Haynes Gillmore, William Hanley, Walter Morris Hart, Childe Hassam, Nan Wood Honeyman, O.O. Howard, Robinson Jeffers, Willard Maas, Alexander Meiklejohn, Eugene Meyer, Josephine Miles, Harriet Monroe, Richard L. Neuberger, Frederick O'Brien, Mrs. Fremont Older, Fremont Older, Lemuel Parton, Alice Paul, Lute Pease, Louis Freeland Post, John Cowper Powys, Llewelyn Powys, Alexander Phimister Proctor, John W. Redington, Corinne Roosevelt Robinson, Muriel Rukeyser, Albert Pinkham Ryder, Theodore Spiering, Lincoln Steffens, Walter Steilberg, Doris Stevens, Genevieve Taggard, Mark Van Doren, Mabel Vernon, Langdon Warner, Olin Levi Warner, Julian Alden Weir, Marie de L. Welch, George P. West, Frances G. Wickes, Ella Winter, Emma Wold, Erskine Wood, Art Young, and Ella Young.
mssWD
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Visual Materials
The Greene and Greene Collection contains a wide variety of materials, from Greene and Greene ancestor, architect/engineer James Sumner's "Memo of the Timber wanted for the Steeple in Providence," dated 1775, and a diary of a European grand tour from 1829 to 1931 by an English ancestor of Charles Greene's wife, Alice, to drawings and photographs of Greene and Greene works from the time of construction through the close of the 20th century. The bulk of the collection dates from 1889 to 1975. Photographs comprise most of the records documenting their architecture. There is a small number of architectural drawings; most of the firm's drawings are housed at the Avery Architectural and Fine Arts Library at Columbia University, New York City, with a smaller collection of drawings from the estate of Charles Greene at the Environmental Design Archives, University of California, Berkeley. The collection is organized into four series: I. Personal papers, II. Office records, III. Job (project) records (including furniture), and IV. Related research materials. In general, the papers and records of both brothers have been kept together for the periods in which they were living together as students and young men, and for the period when they were partners in the firm of Greene and Greene. Within each series, the organization follows the separate lives and works of each brother from the dates at which they diverge. Although the collection has been assembled from many different sources, most items have a unique accession number identifying the donor, so that the researcher can easily identify the source of most documents.
archGreene