Rare Books
Les Soirées de Paris
Image not available
You might also be interested in
Image not available
Royer, Clémence, 1830-1902. Le lac de Paris: essai de géographie quaternaire
Rare Books
Kirkpatrick reference: 2362 Description: 46 pages Periodical title: Philosophie positive Issue No.: Mars-Avril 1877 Imprint: [Versailles]
635664
Image not available
Daily Horoscope (1986): An Elegy for Vladimir de Pachmann
Manuscripts
Materials related to Dana Gioia's work as a poet, essayist, and editor as well as his roles as Chairman of the National Endowment for the Arts (NEA) and Poet Laureate of California. The Writings series is divided into Poetry, Other Writings, and Publications, and includes drafts, galleys, published versions, and reprints of Gioia's poems, essays, and other writings, as well as notes, correspondence, reviews, and other related documents. The Professional series includes materials related to Gioia's work with the NEA, including documentation of his NEA nomination and confirmation; his congressional testimony; reports; publicity; and working documents and correspondence related to NEA programs such as The Big Read, Poetry Out Loud, NEA Jazz Masters, and others. There is also correspondence, press coverage, a scrapbook, and other documentation of Gioia's tenure as California Poet Laureate; and materials related to his 2007 Stanford University commencement address, including drafts of the speech, responses, and reprints. The Correspondence series is comprised primarily of Gioia's letter and email correspondence with other poets, publishers, and scholars, and also includes some biographical and other material related to each correspondent. The Broadsides and posters series includes poetry broadsides authored by Dana Gioia and others, and a few posters related to Gioia's poetry.
mssGioia
Image not available
Planting a Sequoia and Other Poems. Athens: Society de Kata, 2019
Manuscripts
Materials related to Dana Gioia's work as a poet, essayist, and editor as well as his roles as Chairman of the National Endowment for the Arts (NEA) and Poet Laureate of California. The Writings series is divided into Poetry, Other Writings, and Publications, and includes drafts, galleys, published versions, and reprints of Gioia's poems, essays, and other writings, as well as notes, correspondence, reviews, and other related documents. The Professional series includes materials related to Gioia's work with the NEA, including documentation of his NEA nomination and confirmation; his congressional testimony; reports; publicity; and working documents and correspondence related to NEA programs such as The Big Read, Poetry Out Loud, NEA Jazz Masters, and others. There is also correspondence, press coverage, a scrapbook, and other documentation of Gioia's tenure as California Poet Laureate; and materials related to his 2007 Stanford University commencement address, including drafts of the speech, responses, and reprints. The Correspondence series is comprised primarily of Gioia's letter and email correspondence with other poets, publishers, and scholars, and also includes some biographical and other material related to each correspondent. The Broadsides and posters series includes poetry broadsides authored by Dana Gioia and others, and a few posters related to Gioia's poetry.
mssGioia
Image not available
The spirit of Paris / by Frankfort Sommerville [pseud.] ; with twenty full-page illustrations in colour by Gustave Fraipont, Lucien Gautier, Raphael Kirchner, Maurice De Lambert, A. Marcel-Clement, G. Riom
Rare Books
This collection contains nearly 600 monographs published by the British publishing firm A & C Black from the late 1800s through the 1950s (bulk 1901-1936). Many of the volumes were published as part of the firm's successful "Colour Books" series and contain color plates and pictorial cloth bindings. The titles in the collection cover a variety of subjects including travel in Great Britain and abroad, antiquities, art, history of various civilizations, social life and customs of various cultures, natural history, literary classics and other literature (especially juvenile), gardening, military art and science, recreation, and transportation. Many of the firm's early 20th century series are represented by items in the collection, including the 20 shilling series; 7s 6d series; Artist's sketch book series; the "Peeps" series including Peeps at Many Lands; Beautiful Britain; Black's Popular Series of Colour Books; and Black's Water-Colour series. The collection also includes two non-A & C Black imprints by William Collins Sons and Co. and J.M. Dent.
499150:484
Image not available
Christopher Isherwood papers
Manuscripts
This collection contains the papers of British-American writer Christopher Isherwood, chiefly dating from the 1920s to the 1980s. This part of the collection consists of scripts, literary manuscripts, correspondence, photographs, ephemera, audio-visual material, and Isherwood's library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. The Christopher Isherwood Papers were cataloged over a span of 10 years and multiple acquisitions, resulting in a collection organized by accretion, with each new acquisition added on in sequence at the end of the collection, rather than interspersed with similar or related materials. Therefore, each separate acquisition must be searched in order to locate all of the relevant manuscripts or correspondence by a particular author. Similarly, the collection was cataloged by multiple catalogers, so styles, levels of detail and format vary throughout the collection and finding aid. Scripts (Boxes 1-9) The majority of scripts are by Isherwood, and there are quite a few collaborative efforts, e.g., Below the Equator and Jacob's Hands with Aldous Huxley; and Frankenstein, A Meeting By the River and other titles with Don Bachardy. There are also drafts of the early Auden-Isherwood collaborations The Dog Beneath the Skin and The Enemies of a Bishop. Literary Manuscripts (Boxes 10-84) The archive includes manuscripts for most of Isherwood's works. The largest exception is the manuscripts for The Berlin Stories, which are not present. High points include multiple drafts for A Single Man, The World in the Evening, Down There On a Visit, Christopher and His Kind, A Meeting By the River, The Memorial, and My Guru and His Disciple. Isherwood's "Writing Notebook" (CI 1158) is very rich, containing long series of notes on the writing of The World in the Evening and Down There On a Visit. For example, he spent seven years working and re- working The World in the Evening, a process that included many conversations about the novel with his friends Dodie Smith and Alec Beesley. The "Writing Notebook" includes accounts of those conversations, in addition to notes reflecting his own thoughts about writing the novel. An extensive series of notes for lecture that Isherwood presented at universities in southern California contains highly important information on Isherwood's views on literature, Vedanta, and his own place in 20th-century letters. Isherwood and W.H. Auden enjoyed a deep, life-long friendship and, beginning in their youth, they exchanged thoughts about literature and their reactions to one another's writings. Isherwood exerted a profound effect on Auden's poems, suggesting alterations on many occasions. Because of Isherwood and Auden's close literary interaction, Auden gave many poems to Isherwood. These verses, some unpublished, are in the Isherwood Papers, along with an extraordinary notebook containing drafts of early Auden poetry (some unpublished). Of special note is the journal that Isherwood and Auden kept jointly on their trip to Asia in 1938, later published as Diary of a Trip to Asia. Correspondence (Boxes 10-84) The collection is rich in letters to Isherwood, most notably from W.H. Auden and Stephen Spender. The Auden letters are superb and, together with poetry manuscripts, form a body of original material that is equaled only by the manuscripts held in the Berg Collection at the New York Public Library. The letters from Stephen Spender are excellent and form a long body of communication about literary and editorial matters, both his own and Isherwood's. Spender sold Isherwood's letters to the Bancroft Library, so the two halves of the correspondence are housed in northern and southern California. A superb series of letters from E.M. Forster bespeaks the closeness of his friendship with Isherwood, as well as his position as mentor to the younger writer, who greatly admired the older writer. In addition to literary and social matters, Forster's letters include descriptions of the effects of bombing on England during World War Two. Most notably, several letters address Forster's request that Isherwood oversee publication of Maurice after Forster's death. Correspondence from other major literary figures includes letters by Truman Capote, Somerset Maugham, J.D. Salinger, Gore Vidal and Tennessee Williams. An extensive series of letters from dance impresario Lincoln Kirstein fully and wittily document his time in the military, stationed in Germany during World War Two. The longest set of letters by Isherwood is the series to his mother Kathleen Bradshaw-Isherwood, which are long and filled with important information about his activities and his thoughts. These letters have been published: Colletta, Lisa, ed., Kathleen and Christopher: Christopher Isherwood's Letters to His Mother (Minneapolis: University of Minnesota Press, 2005). Apart from this series, Part I of the collection contains relatively few letters by Isherwood. Diaries (Box 85) This box of five volumes includes trips to Greece (1933) and South America (1947-1948), a volume of ideas for stories, and daily diaries (1935-1938 and 1979). Please note: this box of diaries does not have any restrictions of access or use. Addenda (Boxes 86-90) The Addenda material came to the Library in 2000 and was cataloged over the next several years. It consists, mainly, of literary correspondence, interviews and manuscripts by W.H. Auden, Don Bachardy, Ray Bradbury, Christopher Isherwood, Ken Maley, Stephen Spender, and Edward Upward. The Isherwood manuscripts include drafts of Christopher and His Kind, Down There on a Visit and The World in the Evening. Photographs (Boxes 91-114) There are about 1,800 photographs in Part I of the collection, chiefly depicting Christopher Isherwood and Don Bachardy. The majority of the photographs are the work of professional photographers and therefore under copyright, so researchers wishing to publish or make use of them must seek the appropriate permission. Ephemera (Boxes 115-122) Among the ephemera are flyers and publicity for the Auden-Isherwood collaborations, for productions of Cabaret, and for stagings of adaptations of Isherwood's novels. There are also Isherwood's datebooks and address books, published interviews, clippings by and about Isherwood, about his writings, and about others, and miscellaneous printed material. There is also important material that documents homosexuality and the gay rights movement. Audiovisual Material (Boxes 123-135) The audiovisual material contains 3, 5 and 7" magnetic tapes, audiocassettes, VHS and Betamax tapes and three films. The magnetic tapes include Christopher Isherwood conferences, interviews, lectures and speeches; also included, among others, are Don Bachardy, Swami Prabhavananda, Dylan Thomas, and Edward Upward. Many of the tapes also have CD preservation copies and these are noted in the finding aid The audiocassettes include dramatizations of Christopher Isherwood's works, interviews and lectures, as well as a few other authors, including Edward Upward. A limited number of audiocassettes have CD preservation copies and these are noted in the finding aid. The VHS, Betamax tapes and films include interviews with Christopher Isherwood and Don Bachardy on the BBC and Dick Cavett television show, as well as an interview by Ariana Huffington; the tapes have DVD preservation copies and these are noted in the finding aid. The three films are still in process and are not available. Sealed Diaries and Scholar's Papers (Boxes 136-138) The eight daily diary volumes (1939-1970) are sealed until Jan. 1, 2030. The scholar's material includes essays, correspondence and photocopies; the material is sealed until 30 years after the date of each item.
mssCI
Image not available
II. Correspondence
Manuscripts
The heart of the collection is the correspondence between Wallace Stevens and his family, scholars, poets, editors, business associates and friends. All of the correspondence (except that relating to genealogy) has been fully catalogued in the Manuscripts Catalogue. Although there is some correspondence of minor importance, such as friends' greetings while Stevens was convalescing in 1955, most of it has an interest from either a biographical or poetical viewpoint. Many of the letters from Stevens were published by his daughter in Letters of Wallace Stevens, ed. Holly Stevens, 1966. But still unpublished is the other side of the correspondence--to Stevens--amounting to about 2,500 pieces. The bulk of Stevens' letters are carbon copies, with the exception of his letters to Barbara S. Church, Wilson E. Taylor, and Elsie Viola (Moll) Stevens. Stevens began to keep carbon copies regularly only after the early 1940s, so his letters from the earlier period are scarce in the collection. A brief notice of the kinds of correspondence in the collection is given below: Family Letters The most significant family figure represented in the correspondence is Stevens' wife, Elsie Viola (Moll) Stevens (1886–1963). Her real name was Elsie Viola Kachel, but when her mother remarried, Elsie took on the surname Moll. Most of the correspondence is from Stevens to Elsie, 1907 (before their engagement) to 1935. (271 pieces; WAS 1776-2047). The principal letters from Elsie are to her stepfather and mother, Lehman W. and Ida Bright (Smith) Kachel Moll and to her half-sister, Dorothy La Rue (Moll) Weidner. Additional family correspondents include: Elizabeth (Stevens) MacFarland (1885-1943): Wallace Stevens' elder sister. Daughter: Jane (MacFarland) Stone Wilson. Garrett Barcalow Stevens a (1848-1911): Wallace Stevens' father. Garrett Barcalow Stevens b (1877-1937): Wallace Stevens' elder brother. Wife: Sarah Shelley (Stayman) Stevens. Holly Bright Stevens (1924-1992): Daughter of Wallace and Elsie Stevens. First married name: Hanchak (son: Peter Reed Hanchak). Second married name: Stephenson. Her maiden name is used throughout the collection. John Bergen Stevens a (1880-1940): Wallace Stevens' younger brother. Son: John Bergen Stevens b. Wife: Anna May Stevens. Daughter: Eleanor (Stevens) Sauer. Husband: John C. Sauer. Margaretha Catharine (Zeller) Stevens (1848-1912): Wallace Stevens' mother. Mary Catharine Stevens (1889-1919): Wallace Stevens' younger sister, killed in France during World War I. Literary Correspondents The crux of the collection deals with Wallace Stevens' poetry; a majority of the correspondence falls into this category. The following list deals only with some of the correspondents, including those who were important in their own right or important for the quality of the correspondence. The list is by no means complete. Many of the editors of journals, critics and publishers that figure in the collection are not on the following list but may be found alphabetically in the Manuscript Catalogue in the Library. All letters in the list are addressed to or written by Stevens. Note: Marguerite G. Flynn, whose name figures in some of the correspondence, was Stevens' secretary and stenographer. She personally answered some of Stevens' letters, especially in 1955 when Stevens was hospitalized. Letters written by her are catalogued under her name, not Stevens'. Henry Hall Church: 102 pieces, 1939-[1947]. (WAS 3366-3467). Stevens to HHC: 94 pieces, 1939-1947, mostly carbons. (WAS 3468-3561). Barbara S. Church: 112 pieces, 1942-1955. (WAS 3563-3674). Stevens to BSC: 148 letters, 1 942-1955, mostly originals. (WAS 3678-3825). The Church-Stevens correspondence is undoubtedly the most important (and numerous) in the collection. Henry Church and Stevens were both interested in French literature and, during the war years when the Churches were unable to spend half the year in their home at Ville d'Avray, France, Stevens saw the Churches frequently and became close friends with them, so that in his correspondence with both Henry and Barbara Church, he frequently and honestly speaks of his personal and literary life. Edward Estlin Cummings: 4 letters, 1944-1950. (WAS 1-4). Stevens to EEC: 2 carbons, 1947-1950.(WAS 5-6). Harry Duncan (of the Cummington Press): 61 letters, 1943-1951. (WAS 555-615). Stevens to HD: 9 carbons, 1945-1950. (WAS 616-624). Katharine Frazier (of the Cummington Press): 19 letters, 1941-1943. (WAS 647-665). Robert Lee Frost: 1 A.L.S. (and photograph), July 28, 1935. (WAS 365). Victor Karl Hammer: 32 letters, 1946-1952. (WAS 776-807). Stevens to VKH: 11 carbons, 1948-1951. (WAS 808-818). Alfred A. Knopf: 64 letters, 1920-1955. (WAS 3084-3147). Stevens to AAK: 44 carbons, 1930-1955. (WAS 3148-3191). The following four individuals are the major associates with Alfred A. Knopf Inc. in the correspondence: William Cole: 10 letters, 1951-1955. (WAS 3044-3053). Stevens to WC: 9 carbons, 1951-1955. (WAS 3054-3062). Sidney R. Jacobs: 9 letters, 1950-1954. (WAS 3063-3071). Stevens to SRJ: 12 carbons, 1950-1954. (WAS 3072-3083). William A. Koshland: 11 letters, 1950-1954. (WAS 3198-3208). Stevens to WAK: 10 carbons, 1950-1955. (WAS 3209-3218). Herbert Weinstock: 74 pieces, 1946-1955. (WAS 3219-3292). Stevens to HW: 66 carbons, 1946-1955. (WAS 3293-3358). Archibald MacLeish: 2 letters, 1925-[1948]. (WAS 1063-1064). Stevens to AM: 1 carbon, Aug. 23, 1948. (WAS 1065). Harriet Monroe: 10 letters, 1914-1935. (WAS 28-37). Marianne Craig Moore: 27 letters, 1926-1955. (WAS 41-67). Samuel French Morse: 7 letters, 1953-1955. (WAS 1266-1272). Stevens to SFM: 3 carbons, 1954-1955. (WAS 1273-1275). Renato Poggioli: 30 letters, 1947-1954. (WAS 286-315). Stevens to RP: 23 carbons, 1947-1954. (WAS 316-338). Mary Bernetta Quinn: 12 letters, 1948-1955. (WAS 2621-2632). Stevens to MBQ: 3 carbons, 1948-1954. (WAS 2633-2635). Hi Simons: 28 pieces, 1937-1945.(WAS 78-105). Stevens to HS: 35 carbons, 1937-1945.(WAS 106-140). Allen John Orley Tate: 45 pieces, 1941-1949. (WAS 2340-2384). Stevens to AJOT: 21 carbons, 1941-1949. (WAS 2385-2405). Thornton Niven Wilder: 1 A.L.S., Sep. 12, 1951. (WAS 2524). Stevens to TNW: 1 carbon, Oct. 19, 1951. (WAS 2525). William Carlos Williams: 13 letters, 1916-1953. (WAS 11-23). Foreign Correspondence Although Stevens never travelled abroad (other than to Havana, Cuba), he was always interested to read about foreign places and to correspond with foreigners. Some of the most engaging correspondence is with foreign writers, whose letters with Stevens are among the finest in the collection for the insights they give into Stevens the man and the poet. Notable correspondents include: Rosamond (Bates) Cary: 6 letters, 1931-1936. (WAS 2071-2076). Stevens to RBC: 6 carbons, 1935-1936. (WAS 2077-2082). Cary was an American living in Otaru, Japan. Stevens asked her to select a number of Japanese toys and traditional items as gifts for Elsie and Holly Stevens. Peter H. Lee: 13 letters, 1951-1955.(WAS 1030-1042). Stevens to PHL: 8 carbons, 1954-1955.(WAS 1043-1050). Lee was a Korean poet. Robert McAlmon: 13 letters, [1921-1924]. (WAS 1150-1162). McAlmon, an American writer living and writing in Europe, wrote some extremely good letters about James Joyce and other literary figures in the 1920s. Thomas MacGreevy: 39 letters, 1948-1955. (WAS 141-158; 161-180). Stevens to TM: 17 carbons, 1948-1955. (WAS 181-197). MacGreevy was appointed Director of the National Gallery of Ireland in 1950. The MacGreevy-Stevens correspondence brings out Stevens' interest in painting and the other arts. José Rodriguez-Feo: 51 letters, 1944-1954. (WAS 1588-1638). Stevens to JR-F: 9 carbons, 1948-1955. (WAS 1639-1647). Warm letters from and to Rodriguez-Feo, a young Cuban poet, many concerning the meaning of Stevens' poetry. Leonard Van Geyzel: 15 letters, 1938-1954. (WAS 2450-2464). Stevens to LVG: 18 carbons and 1 L.S., 1937-1954. (WAS 2470-2488). Van Geyzel was an Englishman working on a tea plantation in Ceylon who read widely in modern literature. Interesting correspondence regarding Stevens' literary and political (World War II) views. Anatole Vidal: 20 letters, 1935-1940, in French. (WAS 2650-2669). Vidal was the Parisian bookseller who, like his daughter Paule Vidal after his death, provided Stevens with French books and magazines and purchased for Stevens original paintings by contemporary French artists, including Auberjonois, Maurice Brianchon, Roger Callois and Tal Coat. The Anatole and Paule Vidal correspondence is of the utmost importance in defining Stevens' attitudes toward modern art and literature. Paule Vidal: 80 letters, 1945-1955,in French. (WAS 2806-2885). Stevens to PV: 110 carbons, 1945-1955. (WAS 2886-2995). Paule Vidal took over her father's bookshop in Paris after his death in the early 1940s and continued the correspondence with Stevens. In addition, there is correspondence regarding tea. Stevens was a connoisseur of fine foods and enjoyed sending away for tea in particular. These letters with the Associated Tea Syndicate (WAS 1170-1176) and the Ceylon Tea Plantation Company (WAS 1346-1349), 1935-1938, give some idea of his personal habits. Business Associates The collection does not contain letters from the files of the Hartford Accident and Indemnity Company. The following correspondents were business associates as well as friends: C.L. Daughtry: 7 pieces, 1943-[1955].(WAS 492-498). Stevens to CLD: 40 pieces, 1931-1955, mostly originals. (WAS 499-538). Arthur Gray Powell (known as "Judge Powell"): 6 letters, 1940-1950. (WAS 1477-1482). Wilson E. Taylor: 12 letters, [1939?]-1955, including 5 carbons. (WAS 3837-3848). Stevens to WET: 96 letters, 1933-1955, originals. (WAS 3849-3944).
mssWAS 1-4262