Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
The song of the stone wall
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
The collection contains material from independent private presses and university presses from around the world, but the majority of the presses represented in the collection are from the United States. Types of materials include annoucements, correspondence, flyers, booklets, and catalogs. The collection also includes material from printing clubs including Grolier, William Morris Society, Moxon Chappel, Rounce and Coffin, Typophiles, and Zamorano.There are also catalogs and material relating to various type foundry companies such as Ludlow, Linotype, Bauer, and American Type Founders (ATF) as well as paper samples from Japan Paper Company, Linweave, and Worthy Paper Company.
ephPVP
Image not available
Visual Materials
This disbound album is made up of two volumes, the first containing late 19th century photographs of sites throughout Mexico and parts of South America; most notable are Mexico City, Guanajuato, Zacatecas, Peru, Bolivia, and the Mesoamerican ruins of Mitla, Tiahuanacu, and Gran Chimu. Some of the photographs in volume one are cyanotypes made by C.F. Lummis. Views of some California missions are also included, with a focus on San Fernando Rey. The second volume of the album also holds late 19th century photographs of Anglican church buildings in England, featuring York Minster, Winchester Cathedral, and Ely Cathedral.
photCL 238
Visual Materials
View of an old stone wall on property identified as "Domec Ranch" - possibly a reference to Pierre Domec (see notes, below). Pierre Domec's homestead was in present-day Chatsworth, California.
photCL_555_06_250
Image not available
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555