Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Jane Clark; or, Scenes in metropolitan life : a tale descriptive of New York scenes
Image not available
Rare Books
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Rare Books
376082
Image not available
Visual Materials
The Jay T. Last collection of finance prints and ephemera contains approximately 1,075 printed items from the United States dating from 1794 to 1926, with the bulk of the content dating from 1840 to 1900. Items are related to the creation, distribution, and management of money as well as the conduct or transaction of money matters, including the protection or sale of personal and real property by agents, brokers, dealers, or land developers. This category covers accounting, auctions, banking, collection agencies, credits and loans, insurance, investment, and real estate along with the equipment, supplies, and structures associated with these businesses such as cash registers, checks, insurance policies, paper currency, and financial buildings. Most items are lithographs, but engravings and woodcuts are also included. The collection includes 54 large-size items comprised mainly of advertising prints and insurance agreements. Small-size items number approximately 1,020 and contain a variety of materials, including trade cards, checks, leaflets, currency, imitation currency, and printed billheads and letterheads (with and without manuscript text). The collection provides a look at the evolution of advertising strategies and contractual language in the 19th and early 20th centuries. The images on the insurance-related materials often include depictions of fires and natural disasters, providing a resource for studying the history of emergency response and firefighting during this era. As graphic materials, the collection highlights developing techniques and trends in printmaking while documenting the artists, engravers, lithographers, printers, and publishers involved in the creative process.
priJLC_FIN_004463