Rare Books
Rocky Mountain views on the Rio Grande : the "scenic line of the world"; consisting of twenty-four quadri-colored engraved views from recent photographs
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[Scenic view of mountains.]
Visual Materials
This collection consists of one photograph album with 48 photographs and 35 loose photographs (as well as some duplicates), with images depicting the Fair Oaks Ranch in Altadena, California, during the late 19th century. The ranch, owned by businessman and rancher James F. Crank, encompassed a vineyard, winery, and citrus orchards, along with a lavish residence and grounds. Subjects include interior and exterior views of the residence, landscaped grounds, trees, and plant life; members of the Crank family; ranch workers, including Chinese laborers, working in the orchards and vineyard, harvesting and packing fruit, drying apricots, and loading fruit onto horse-drawn carts; workers' quarters; the operations of the winery and distillery; and also a handful of sweeping views of the San Gabriel Mountains and the Altadena and Pasadena areas taken from vantage points on the property. The photographer of the album is unknown; some of the cabinet cards and stereographs have imprints from area photographers: C. McMurtrey (Item 80), C.B. Ripley (Items 73-74), and A.C. Varela (Items 76-78). Photographs in the album are cyanotype prints; the loose photographs include cyanotypes, cabinet cards, and stereographs.
photCL 6
"Around the Circle" a thousand miles in the Rocky Mountains via the Denver & Rio Grande R.R
Visual Materials
Image of a poster advertising the Denver & Rio Grande Railroad with a centered circular wood-engraved vignette of the Royal Gorge with a railroad track surrounded by mountains, in the Rocky Mountains of Colorado.
priJLC_TRAN_001105
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Gurnsey's Rocky Mountain Views
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
