Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Protestantism the Polar Star of England
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Manuscripts
The collection contains letters, documents, maps and reports related to the professional activities of mining engineer Harley A. Sill. There are reports on ores and mines and technical data, chiefly from California, Arizona, Nevada, Canada and Mexico. There are also some reports on mines in other parts of the United States and in South and Central America. There is also one small box containing bibliographical references related to mines and metallurgy (Box 15).
mssSill
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Rare Books
25140
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Visual Materials
The Fanchon & Marco collection contains approximately 1400 photographs depicting hundreds of Fanchon and Marco Inc. sets and performers between approximately 1925 and 1938. The collection also includes three boxes of ephemera, dated from around 1912 to 1940, that consist of newspapers clippings, musical scores, miscellaneous photographs, and the supplemental press books that were included with Fanchon & Marco's promotional magazine, Now (later The Idea), dating from 1930 and 1931. The 16 volumes (now disbound) of photographs in this collection served as a visual inventory for hundreds of Fanchon & Marco sets and performers. The images document the actors, dancers, costumes, sets, and concepts and appear to have been primarily photographed during rehearsals before the shows premiered in Los Angeles theaters such as Loew's State Theater and the Paramount Theater. The first volume contains some photographs presumably taken in San Francisco and later volumes include a few photographs by New York-based photographers. Photographers represented in the collection are: Archer's Art Shop of Los Angeles; Hollywood photographers Irving Archer; Archer's Studios; Curt Fox; Paralta Studios; and Harry Wenger. A few photographs include the imprints of Peerless Photo of Los Angeles, John Sirgio, H.W. Steward of San Francisco, Talbot of New York, Weaver of Los Angeles, and White Studio of New York.
photCL 487
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Manuscripts
This collection contains material ranging from correspondence to various types of research materials to clippings and reprints of articles of newspapers, magazines, and academic journals. The majority of the collection deals with the history of science and Wright's research of the physical features of the moon. The collection is composed of four sections in accordance with the types of sources: correspondence, manuscripts, research materials, and ephemera. The correspondence is contained in Box 1, while the manuscripts are housed in Boxes 1 and 2. Research materials occupy Boxes 2-5, divided into five sub-sections: unbound research materials, research materials in folders, bound research materials, photographs, including some taken by Charles A. Lindbergh, and negatives. The Ephemera section is contained in Boxes 5 and 6. The items in each section and sub-section are placed in chronological order. Correspondence indicates the ways in which Wright advanced the research project of the Committee on Study of Surface Feature of Moon as well as in which he shaped his ideas and conducted his research in relation to other scholars; he asked other scholars research questions and was asked by them. Wright regularly corresponded with administrators at the Carnegie Institution, such as W. M. Gilbert and John Merriam, and the committee members in California, updating each other on the project. Also he communicated with other scholars in the field including R. A. Daly at Harvard, W. H. Pickering at an observatory in Jamaica, George Hale at the California Institute of Technology, Harlow Shapley at the Harvard College Observatory, C. P. Oliver at the University of Pennsylvania, Ernest Brown at Yale, Jesse L. Greenstein at the Harvard College Observatory, Otto Struve at the University of California, Berkeley, and Henry Norris Russell at Princeton. Manuscripts and research materials tell us exactly what Wright thought and did in terms of his research project. Manuscripts include the reports of the committee and drafts of talks he gave to various audiences. Research materials are a nice collection of research data (graphs and tables), research notes, and visual sources such as photographs and negatives. The ephemera section also contributes to tracing the trajectory of Wright's ideas, composed of clippings of articles regarding the moon from newspapers and magazines and reprints of his own published papers.
mssWright