Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Phantom flowers : a treatise on the art of producing skeleton leaves
Image not available
Rare Books
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Rare Books
"This essay was written in the autumn of 1861 for the Atlantic Monthly, and accepted for publication by the editors of that popular Magazine; but the pressure upon its pages has prevented the appearance of an article which is so little in accordance with the tone of the current American literature during the past eventful year. The numerous applications to the author for instructions in the art of Skeletonizing have induced the determination to delay its publication no longer, and to change it from a magazine article to a small practical work, adapted to aid the tyro in attaining a perfect acquaintance with the subject of which it treats. It is hardly necessary to acknowledge the aid derived from numerous friends of both sexes, who have freely imparted the results of their experience in the matter in hand. Of course, all skeletonizers have learned by this time that it is only by communicating what they know that they can expect to receive in turn the ideas of others, and thus promote our beautiful pursuit to its true position among the liberal arts"--From preface.
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Visual Materials
Portrait of Lincoln surrounded by a bouquet of "phantom leaves".
photST Soule (1)
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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Visual Materials
Folder includes very delicate and fragile heart-shaped leaves that are painted with images of birds, flowers, insects, fruits, and vegetables.
priRosin
photCL 555