Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Contemporary Babylon in pencil drawings
Image not available
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
This collection contains the papers of naval architect, artist, and interior designer Jack Heaney primarily related to projects Heaney worked on in the mid 20th century at the New York City marine design and naval architectural firm of George G. Sharp Inc., and later at Jack Heaney and Associates. The bulk of the collection dates from the late 1930s to the 1960s and includes both professional and project records primarily reflecting Heaney's design work for cargo-passenger vessels, and some personal documents. The professional and project records in the collection includes design renderings and drawings of ship exteriors, interiors, furniture, and fixtures; photographs primarily of ship interiors; miscellaneous ephemera, often with graphic components by Heaney; publications and clippings profiling Heaney's work; and some miscellaneous correspondence. The largest section relates to the first nuclear cargo ship, the NS Savannah. Other ships and ship lines represented include the Robin Line, Delta Line, American President Lines, Great Lakes Ore Carriers, SS Aquarama, Gulf and South American Steamship, and the Farrell Lines. While most of the collection concerns Heaney's work, the Staten Island Ferries series also includes correspondence related to JoAnne Heaney's interior design work on the project in the late 1970s. The materials also include twelve of the first issues of Harmony in G. Sharp, the George G. Sharp firm's in-house magazine dating from the mid 1940s. The personal papers include three shipbuilding books and a notebook used by Heaney as a student; six pieces of student artwork dating from 1924 to 1926; and some additional postcards and pieces of ephemera.
archHeaney
Image not available
Manuscripts
A collection of approximately 2,100 items from 1853 to 1946, which contains letters, manuscripts, 39 diaries, documents, and drawings related to the life and activities of William Henry Weinland, Caroline Yost Weinland, and the extended Weinland family. The materials focus on their missionary work for the Moravian Church in Alaska and on the Morongo Indian Reservation near Banning, California. Correspondents represented in the collection include Samuel M. Brosius (writing on behalf of the Indian Rights Association), Paul De Schweinitz, and Amelia Stone Quinton. Two separate series in the collection include the Rock family letters from 1911 to 1916, which were written from an Alaskan mission, and the Gilman family papers from 1853 to 1946, which include correspondence, land papers, and historical notes on the Banning area. The collection also includes two boxes of uncataloged addenda.
mssWeinland
Image not available
Rare Books
603006
Visual Materials
One boxed set of colored pencils. The box label reads Compliments of Venus Drawing Pencils, manufactured by the American Lead Pencil Company, ca. 1940. There are 7 pencils within the box. The top lid is covered by green and gold marbled paper. A label on the underside of the box reads: "'The Twins' No. 1980, American Pencil Company, London, New York, Made in U.S.A."
ephKAEE
Image not available
Visual Materials
This collection consists of one photograph album with 48 photographs and 35 loose photographs (as well as some duplicates), with images depicting the Fair Oaks Ranch in Altadena, California, during the late 19th century. The ranch, owned by businessman and rancher James F. Crank, encompassed a vineyard, winery, and citrus orchards, along with a lavish residence and grounds. Subjects include interior and exterior views of the residence, landscaped grounds, trees, and plant life; members of the Crank family; ranch workers, including Chinese laborers, working in the orchards and vineyard, harvesting and packing fruit, drying apricots, and loading fruit onto horse-drawn carts; workers' quarters; the operations of the winery and distillery; and also a handful of sweeping views of the San Gabriel Mountains and the Altadena and Pasadena areas taken from vantage points on the property. The photographer of the album is unknown; some of the cabinet cards and stereographs have imprints from area photographers: C. McMurtrey (Item 80), C.B. Ripley (Items 73-74), and A.C. Varela (Items 76-78). Photographs in the album are cyanotype prints; the loose photographs include cyanotypes, cabinet cards, and stereographs.
photCL 6