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Orwell Manor. : A novel, by Mary Elizabeth Parker
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Mary Haskin Parker Richards diary
Manuscripts
Typescript of a diary kept by Mary Haskin Parker Richards while her husband Samuel Richards was on his mission to Great Britain from 1846-1848. The diary begins on July 22, 1846 (the first four pages are missing), while Mary was traveling with Samuel's parents in a covered wagon through Iowa. Despite the hardships of travel and living much of the time in tents, Mary writes of enjoying her sewing, cooking, and caring for ill family members. She writes of attending a council between the Twelve and "the Natives," which included "10 Indians [and] two Chiefs" in December 1846. In February 1847 Mary ventured across the frozen Missouri River and stayed in an Indian village. She recounts seeing Mormons and Indians living side-by-side although not always peacefully. She happily recounts moving into a house in April 1847 for the first time since leaving Nauvoo in May 1846. "I rejoiced to think that after...living in a tent, and wandering from house to house to keep from perishing with the Cold, [and] suffering...every inconvenience...I had once more a place I could call my home," she wrote on April 29. Much of the diary is taken up with notes on Mary's domestic activities and her attendance of lectures and apparently fiery sermons by Mormon leaders. The final entry was made on May 14, 1848. There is a gap in the diary from August to November 1846.
mssHM 27970

Mary Parker, Countess of Macclesfield, botanical album, 1756-1767
Manuscripts
A botanical album created by Mary Parker, Countess of Macclesfield; she started the album in 1756 when she was 30 years of age. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Mary Parker achieved exceptional ability under the tutelage of Georg Ehret. The album contains 48 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Many of the illustrations are identified by names predating Carl Linnaeus' binomial plant nomenclature in his "Species Plantarum" (1753), while other notations on the illustrations include Linnaeus' names. The album is bound in a contemporary, richly gilt morocco wallet binding, with interior green silk ties; the binding is likely by Richard Montagu. The pages in the album are marked with the Macclesfield armorial blind stamp. It has a lock and key fastening, and while the original key is present, the lock has been deactivated by a professional restorer, please do not attempt to use the key; also present is a red velvet bookmark.
mssHM 84100

Lady Elizabeth Parker Fane botanical album 1765-1767
Manuscripts
A botanical album created by Lady Elizabeth Parker Fane; she started painting the illustrations in this album in 1765 which means she was just 14 years old when she began. Flower painting had become a fashionable occupation for the wives and daughters of the great houses of England and Elizabeth Parker Fane achieved exceptional ability under the tutelage of Georg Ehret. The album contains 25 watercolor and gouache paintings on parchment; depicted are both sides of the plant's leaves and also shown are more than one reproductive stage for each specimen: with the early formation of the blossom, the growing petals, and the full expression of the flower. The images in the album depict numerous plant specimens, sometimes with butterflies and other insects, most likely local to the Macclesfield estate, Shirburn Castle, in Oxfordshire. Only a small number of the paintings contain titles, though a few are dated by the artist. The 25 paintings are laid into the volume and the remaining pages are blank. The album is bound in a contemporary, richly gilt morocco wallet binding, with a green silk chemise to wrap top and lower edges; the binding was done by an unidentified binder. The album has a lock and key fastening, though the lock has been deactivated, the key is kept with the companion volume mssHM 84100.
mssHM 84101