Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
The Isis. : A London weekly publication
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Manuscripts
The collection is comprised primarily of the manuscripts, correspondence, photographs, and ephemera of Paul Theroux. His works are often semi-autobiographical and are based on his experiences living and traveling around the world. He is noted for his rich, sometimes ironic, description of people and places. The material comprises almost his entire career as a writer and includes multiple drafts of various works from working notebooks to printed galleys. The collection includes novels (1967-2016), short story collections (1972-2014), non-fiction and travel books (1972-2016), and shorter works including reviews, articles, short stories, plays, and lectures (1960-2015); the collection also includes Theroux's working and travel notebooks (1968-2014). The collection also contains professional papers and business correspondence (1963-2015), with publishers, agents, other authors and reader's letters; included in this material are letters from, among others, Eve Auchincloss, Peter De Vries, Margaret Drabble, Nadine Gordimer, Graham Greene, Blanche C. Gregory, Hamish Hamilton Ltd., Houghton Mifflin Company, V.S. Naipaul, Jonathan Raban, Oliver Sacks, Muriel Spark, Stephen Spender, William Styron, and Auberon Waugh. There is also a smaller amount of family material and personal correspondence (1939-2015), with family and friends; this correspondence includes Eugene Theroux, Alexander Theroux, Peter Theroux, Marcel Theroux, Louis Theroux, Anne Theroux, and various other family members. The ephemera consists of photographs, printed material and magazines (1941-1915).
mssTheroux
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Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
ephCL I_15