Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Playing cards of various ages and countries
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This collection contains the papers of naval architect, artist, and interior designer Jack Heaney primarily related to projects Heaney worked on in the mid 20th century at the New York City marine design and naval architectural firm of George G. Sharp Inc., and later at Jack Heaney and Associates. The bulk of the collection dates from the late 1930s to the 1960s and includes both professional and project records primarily reflecting Heaney's design work for cargo-passenger vessels, and some personal documents. The professional and project records in the collection includes design renderings and drawings of ship exteriors, interiors, furniture, and fixtures; photographs primarily of ship interiors; miscellaneous ephemera, often with graphic components by Heaney; publications and clippings profiling Heaney's work; and some miscellaneous correspondence. The largest section relates to the first nuclear cargo ship, the NS Savannah. Other ships and ship lines represented include the Robin Line, Delta Line, American President Lines, Great Lakes Ore Carriers, SS Aquarama, Gulf and South American Steamship, and the Farrell Lines. While most of the collection concerns Heaney's work, the Staten Island Ferries series also includes correspondence related to JoAnne Heaney's interior design work on the project in the late 1970s. The materials also include twelve of the first issues of Harmony in G. Sharp, the George G. Sharp firm's in-house magazine dating from the mid 1940s. The personal papers include three shipbuilding books and a notebook used by Heaney as a student; six pieces of student artwork dating from 1924 to 1926; and some additional postcards and pieces of ephemera.
archHeaney
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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Visual Materials
The Lukens Collection consists of 213 glass plate negatives and 242 film negatives created by Theodore Lukens, 1882-1903 and undated, that depict scenes in and around Los Angeles County, central California, and the Southwest.
photCL 467
photCL 555