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Wind along the waste

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    Against the winds

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    All quiet along the Potomac : and other poems

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    Golfers along side winding road on hillside, might be first Annandale Country Club?

    Visual Materials

    The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

    photCL 402

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    A waste of frozen white, brown ridged, wind swept - When thou art happiest I will paint thee

    Manuscripts

    A collection of approximately 30,000 items which consists of letters, manuscripts, documents, diaries, sketches, photographs, printed material, and scrapbooks related to the lives and work of Charles Erskine Scott Wood and Sara Bard Field Wood. The collection includes material about William Maxwell Wood (1809-1880), C.E.S. Wood's father; papers from C. E. S. Wood's army career, including materials from West Point, Alaska, and the Indian campaigns in the Pacific Northwest; C. E. S. Wood's activities in the development of eastern Oregon (note: there are no papers belonging to Wood's law office); Sara Bard Field's reports on the McNamara case, her life in San Francisco and her associations with journalists, labor leaders, Soviet sympathizers, pacifists, and artists; materials related to Sara Bard Field's work for woman suffrage and women's rights; and C. E. S. Wood and Sara Bard Field Wood's cultural circle, including letters from other writers, critics, publishers, social reformers, artists, sculptors, theatrical figures and musicians. Persons represented in the collection include politicians, journalists, cultural leaders, artists, suffragists, authors, and musicians: Charles Altschul, Roger Nash Baldwin, Alva Belmont, Albert M. Bender, William Rose Beňt, Henriette de S. Blanding, Alfred Brennan, Maurice Browne, George De Forest Brush, Beniamino Bufano, Witter Bynner, Bennett Cerf, Samuel Langhorne Clemens, Clarence Darrow, Kenneth Durant, Max Eastman, Gilson Gardner, Inez Haynes Gillmore, William Hanley, Walter Morris Hart, Childe Hassam, Nan Wood Honeyman, O.O. Howard, Robinson Jeffers, Willard Maas, Alexander Meiklejohn, Eugene Meyer, Josephine Miles, Harriet Monroe, Richard L. Neuberger, Frederick O'Brien, Mrs. Fremont Older, Fremont Older, Lemuel Parton, Alice Paul, Lute Pease, Louis Freeland Post, John Cowper Powys, Llewelyn Powys, Alexander Phimister Proctor, John W. Redington, Corinne Roosevelt Robinson, Muriel Rukeyser, Albert Pinkham Ryder, Theodore Spiering, Lincoln Steffens, Walter Steilberg, Doris Stevens, Genevieve Taggard, Mark Van Doren, Mabel Vernon, Langdon Warner, Olin Levi Warner, Julian Alden Weir, Marie de L. Welch, George P. West, Frances G. Wickes, Ella Winter, Emma Wold, Erskine Wood, Art Young, and Ella Young.

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    Waste

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    403285