Rare Books
Leaves of grass imprints : American and European criticisms on "Leaves of grass"
Image not available
You might also be interested in
Image not available
Leaves of Grass Negative List
Manuscripts
Lists 667 negatives. 2 pages contain instructions from EW to Brett – pp. 3, 21. 3 items.
mssWilsonjournal
Image not available
The great European & American consolidated lottery
Visual Materials
The Jay T. Last collection of sports and leisure prints and ephemera contains about 1,770 printed materials related to the history and advertising of athletics, recreational activities, pyrotechnics, gambling, and games in the United States. The materials date from approximately 1758 to approximately 1938, although the bulk of the items date from the mid-19th to early-20th centuries. The collection consists of about 67 large-sized items, and over 1,000 smaller-sized items, including paper dolls, playing cards, trade cards, puzzle cards, dime novels, and promotional billheads and letterheads. Images on the materials range from scenes of indoor pastimes such as billiard and board games, to outdoor sports and activities like roller skating and horse racing. Some materials also include advertisements for fireworks and other pyrotechnic products, largely promoted for Fourth of July celebrations. The collection also consists of many broadsides announcing lottery and charity drawings that took place in Delaware, Maryland, Louisiana, Wyoming, Kansas, and other parts of the United States. Many of the drawings were organized by reputed swindlers at the time, like J.M. (James Monroe) Pattee and L.D. Sine. Some of the drawings organized by the Louisiana State Lottery Company were also officiated by former Confederate generals G. T. (Gustave Toutant) Beauregard and Jubal Anderson Early. In addition to sport materials, this collection also consists of items relating to toys and novelties. Items range from paper cut-out templates, to playing cards, holiday toy listings by retailers, and toy advertisements by manufacturers such as the Milton Bradley Company and the McLoughlin Bros. A significant portion of this collection includes paper dolls with fashion accessories, published either as promotional product advertisements by companies, as art supplements by newspapers, or as toys retailed to consumers.
priJLC_SPO_004326
Image not available
Diary: Book 93, The Leaves of Spring
Manuscripts
The collection is comprised primarily of the manuscripts, correspondence and ephemera of Hilary Mantel. Manuscripts include short stories, interviews, lectures, scripts, articles and reviews, as well as various drafts and notes for Mantel's novels. The collection contains business letters and emails from publishers, agents, other authors, newspapers and magazines, as well as personal letters and emails from family, friends and personal fan letters. Ephemera includes photographs, audio materials and printed material, including some research material for her novels.
MN 4811
Image not available
Five Leaves Publication, Joanne, postcard to Hilary Mantel
Manuscripts
The collection is comprised primarily of the manuscripts, correspondence and ephemera of Hilary Mantel. Manuscripts include short stories, interviews, lectures, scripts, articles and reviews, as well as various drafts and notes for Mantel's novels. The collection contains business letters and emails from publishers, agents, other authors, newspapers and magazines, as well as personal letters and emails from family, friends and personal fan letters. Ephemera includes photographs, audio materials and printed material, including some research material for her novels.
MN 3955
Image not available
European & American Views
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
Image not available
Lincoln Memorial, Dissected Leaves. (Imprint no: 4807)
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555