Rare Books
Registrum Roffense:, or, a collection of antient records, charters, and instruments of divers kinds, necessary for illustrating the ecclesiastical history and antiquities of the diocese and cathedral Church of Rochester. Transcribed from the originals by John Thorpe, ... an published by his son John Thorpe, ... Together with the monumental inscriptions in the several churches and chapels within the diocese
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Formulare Anglicanum:, or, a collection of ancient charters and instruments of divers kinds, taken from the originals
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Articles of visitation and enquiry concerning matters ecclesiastical, exhibited to the ministers, church-wardens, and side-men of every parish within the diocese of Lincoln, : at the triennial visitation of the Right Reverend Father in God, Thomas Lord Bishop of that diocese
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Churches of Rochester : ecclesiastical history of Rochester, N.Y. : narrative of the rise, progress, and present condition of each religious organization : biographical sketches of pastors and of clergymen born in the city, with miscellaneous items from August, 1815 to July, 1871
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The Church of St. John the Baptist, Kirk Hammerton, York (Diocese of Ripon): The Story of Kirk Hammerton Parish Church by Charles S. Newell
Manuscripts
This collection contains the papers of English art historian Katharine Ada Esdaile (1881-1950), with the bulk of the materials relating to her research and writings on British monumental sculpture, sculptors, and church monuments from the medieval period to 19th century. Material types include personal writings, diaries, correspondence, business papers, family papers and photographs, research files and research notebooks, and miscellaneous published and unpublished materials. Notably the collection includes more than 600 chiefly pre-World War II visitor booklets and pamphlets produced locally by British churches and approximately 3500 photographs taken or collected by Esdaile of sculpture, often funerary monuments in English churches, ranging from large churches like Westminster Abbey to small rural parishes. This collection provides a resource for viewpoints on monumental sculpture in the early 20th century (for instance as represented in book reviews by Esdaile) and for information about Esdaile's experience as a woman art historian in the early 20th century. Given the broadness of Esdaile's scope, from medieval to 19th century British monumental sculpture, the collection is less useful for specific information about monuments or sculptors. In addition, many of Esdaile's attributions in her notes appear to have been based primarily on her own instincts and do not have citations. Many of Esdaile's notes are handwritten on small scraps of paper or are fragments, sometimes making the information difficult to parse. The collection is chiefly Esdaile's files, but the dates on some items (such as post-1950 booklets) indicate the collection was added to and used after her death, presumably by her son Edmund Esdaile, who also made notes on items in the collection and appears to have done the preliminary organization of the papers after Esdaile's death.
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