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Five Old Friends : and, A Young Prince

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    Sex & rage : advice to young ladies eager for a good time

    Rare Books

    A rediscovered classic: Eve Babitz's wry, tender coming-of-age tale of 1970s LA. It is the 1970s in LA, and Jacaranda Leven - child of sun and surf - is swept into the dazzling cultural milieu of the beautiful people. Floating on a cloud of drink, drugs and men, she finds herself adrift, before her talent for writing, and a determined literary agent, set her on a course for New York and a new life. Sex & Rage is a recently rediscovered classic from author Eve Babitz, herself a muse to many an artist, writer and musician in the 1970s. A semi-autobiographical novel, it charts the highs and lows of a life lived at the limits, and transports the reader to a sunnier, dreamier, more reckless time and place.

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    The 13 crimes of science fiction

    Rare Books

    "Thirteen tales in which detectives of the distant future roam a galaxy riddled with locked-room mysteries, ciphers to be decoded, and unearthly evidence to be sifted, all by the rules of the 13 classic kinds of mystery story"--Cover.

    474201

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    David Hockney : Grimms' fairy tales

    Rare Books

    "In 1969 David Hockney made a series of prints to illustrate six fairy tales by the Brothers Grimm; a book was published the following year in a limited edition. Since then the etchings have been exhibited and admired throughout the world, and this exhibition will bring the works to audiences in Britain"--Page 3.

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  • Father Tuck's "Fairy Folk" Painting Book

    Father Tuck's "Fairy Folk" Painting Book

    Visual Materials

    One painting book entitled Father Tuck's "Fairy Folk" Painting Book, Complete with Paints and Brush, published by Raphael Tuck & Sons Ltd., of London, ca. 1907. This book is part of Father Tuck's Patent "Paintbox" Series. The front cover shows a leprechaun, or elf, seated and painting. Above the image are the remnants of six watercolors--red, yellow, blue, pink, green and brown--on slips of paper. The front cover and the book's pages are cut away in oval shapes around the watercolors. Illustrations of other painting books in the Father Tuck's Series are shown, which lists this book as No. 2571. Nine color images from various folk tales and children's stories, including Little Red Riding Hood, Cinderella, and Robinson Crusoe, appear within the book. Blank pages were meant to be used for copying. (The owner has used them for unrelated pencil and watercolor work.) All the illustrations are signed by Mabel Lucie Attwell. A ms. note "$8- 6448, 8 Lucie Mabel Atwell (sic) plates" appears on the front cover. The initials "V.W." appear inside along with the name "Vera W.".

    ephKAEE

  • Friends, old friends

    Friends, old friends

    Manuscripts

    Album is bound in textured black material. Title "Friends, Old Friends." is embossed in gold on the upper center of cover, and a fleur de lis graphic element is blind embossed underneath it. Two embossed lines border the outer edges of cover. The number "15" is affixed to the top of spine with glue. Contains photographs of London's friends, including Bohemian Grove cohorts, and some of Charmian London's family.

    JLP 453

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    Unidentified young man

    Manuscripts

    The collection contains correspondence, manuscripts, newspaper clippings, photographs, scrapbooks, and ephemera pertaining to the life and work of Joan London. Since much of London's work focused on her father, many items in the collection specifically relate to the life and writings of Jack London. The collection contains correspondence between Joan and individuals who knew, or were interested in, her father, the notes and drafts used by London in writing her father's biography, and several copies of letters written by Jack London himself. Joan was also interested in the life of her paternal grandfather, William Henry Chaney, and the collection contains both manuscripts and notes relating to him. Joan London's unpublished work, Visiting rights only, is one of several manuscripts in the collection, and it specifically addresses Joan's feelings towards her father and her thoughts on her childhood within a single-parent family.

    mssMI 1-1474