Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
San Francisco, 1862 : From Russian Hill, Secn. 1-[-5]
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Rare Books
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
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Visual Materials
This collection contains 269 stereographs by photographer Carleton E. Watkins, dating from the 1860s to about the 1880s, that chiefly depict buildings, points of interest, and locales in Northern and Southern California. The collection includes 1 stereograph from the Central Pacific Railroad series; 5 stereographs from Watkins' Pacific Railroad Series; 110 stereographs from Watkins' Pacific Coast series; and 150 stereographs from Watkins' New Series. The Watkins' Pacific Coast Series, created between 1861 and 1874, primarily depict locales in Northern California with many images of buildings in San Francisco, views of Yosemite and Mariposa County, Missions, and some mining operations including photographs of the North Bloomfield Gravel Mining Company in Nevada County, California. The Watkins' New Series stereographs, created between 1874 and 1890, consist of images of both Southern California and Northern California, in cities including San Francisco, Pasadena, San Marino, Sierra Madre, and San Gabriel. Among the Southern California residences and properties depicted include the Sunny Slope Ranch of L.J. Rose in San Gabriel, Willow Dale owned by N.C. Carter, and Lake Vineyard owned by B.D. Wilson. Some of the stereographs in Watkins' Pacific Coast Series include titles in the margins in Watkins' own hand (see Nos. 1033, 1135, 1146, 1153, and 1721).
photST Watkins
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Visual Materials
This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.
photCL 56
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
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Visual Materials
These lantern slides depict urban, agricultural, and nature scenes of California in the 1870s. The slides acted as a visual accompaniment to real estate developer Charles Victor Hall's traveling lecture promoting California's resources and benefits, aimed to encourage New Englanders and Europeans to relocate to California. This collection is significant in its images of Native Americans in California, mainly in the Yosemite area, and views of prospecting and mining. The majority of the lantern slides depict scenes from northern California, including Yosemite National Park and San Francisco. Some southern California views are also shown, including San Diego and Los Angeles County. Other slides of interest are views of the California ranches of F.P.F. Temple, Ellwood Cooper, F.D. Bacon, Maria Sepulveda, L.J. Rose (and family), and H.H. Moore. Portraits of General John C. Fremont and actress Maude Granger are also featured in the collection. In addition to the lantern slides, three copy negatives depicting the logging industry are also included. The originals are not in this collection. A printing plate with Hall's portrait is also included in this collection. The images were most likely taken by several different photographers, including Carleton Watkins, Eadweard Muybridge, and Bradley & Rulofson.
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