Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
The New Zealanders
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Rare Books
This collection consists of railroad photographs, ephemera and publications, 1829-2010, with the bulk of material from the early- to mid-20th century. The focus is chiefly locomotives and trains (steam and diesel) of major railroads and interurban electric railways of the United States and Canada. Also represented in the collection are smaller shortline and narrow-gauge railroads; other foreign railroads; streetcars (or trolleys); and burgeoning light rail and subway systems. Most of the ephemera is printed material produced by railroad companies for promotional and business purposes, such as annual reports, brochures, route maps and guides, timetables, tickets, dining menus, stationery, stock certificates, bond coupons and other items. There are also many city and state tourist guidebooks describing sights along rail routes or promoting land available for farming, mining or home-building across the United States. Also included are items produced for or by railroad employees, such as instruction and safety manuals, train orders, freight bills and in-house newsletters. Railroad industry publications, statistics and reports can be found in the American Association of Railroads files, which are part of Donald Duke's subject files on railroad-related topics. Throughout the ephemera files are newspaper and journal clippings, often from scarce small press and trade publications such as The Railway and Engineering Review, The Railroad Gazette, The Santa Fe Magazine, The Western Railroader, Railway Age and others. In addition to railroad history, other topics of social and cultural historical interest in the ephemera are: Depictions of African Americans and Native Americans in mass-marketed train travel brochures. There are many examples that reflect American cultural and class stereotypes in the early- to mid-20th century. Selected files are noted in the container list. Occupational safety and health: See railroad worker safety manuals and accident prevention literature in ephemera files. History of food and drink: See numerous dining and beverage menus throughout Railroads and Foreign Railroads ephemera files (not always noted in container list). History of graphic design and typography: See examples of early- and mid- 20th century popular styles in printed ephemera throughout collection. Photographs and negatives: The photographs depict locomotives, freight and passenger trains, logging railroads, electric interurbans and streetcars across the United States. This was primarily a publishers file of ready-for-press photographs, which are almost all 8 x 10-inch black-and-white prints, made approximately 1950s-1980s. The photographs were made chiefly by various amateur train photographers, including Donald Duke, but most are uncredited. There are some copy prints (photographs of other photographs), and a few original photographs from the late 19th-early 20th century. Some photographs have locations and dates written on the back, but many are unidentified other than the name of the railroad. There are a few files on Ward Kimball (1914-2002), one of the original animators for Walt Disney Studios and an avid rail enthusiast. There are some photographs, biographical materials, and a file on his personal backyard narrow-gauge steam railroad, Grizzly Flats Railroad, in San Gabriel, California.
645950
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Rare Books
This collection consists of railroad photographs, ephemera and publications, 1829-2010, with the bulk of material from the early- to mid-20th century. The focus is chiefly locomotives and trains (steam and diesel) of major railroads and interurban electric railways of the United States and Canada. Also represented in the collection are smaller shortline and narrow-gauge railroads; other foreign railroads; streetcars (or trolleys); and burgeoning light rail and subway systems. Most of the ephemera is printed material produced by railroad companies for promotional and business purposes, such as annual reports, brochures, route maps and guides, timetables, tickets, dining menus, stationery, stock certificates, bond coupons and other items. There are also many city and state tourist guidebooks describing sights along rail routes or promoting land available for farming, mining or home-building across the United States. Also included are items produced for or by railroad employees, such as instruction and safety manuals, train orders, freight bills and in-house newsletters. Railroad industry publications, statistics and reports can be found in the American Association of Railroads files, which are part of Donald Duke's subject files on railroad-related topics. Throughout the ephemera files are newspaper and journal clippings, often from scarce small press and trade publications such as The Railway and Engineering Review, The Railroad Gazette, The Santa Fe Magazine, The Western Railroader, Railway Age and others. In addition to railroad history, other topics of social and cultural historical interest in the ephemera are: Depictions of African Americans and Native Americans in mass-marketed train travel brochures. There are many examples that reflect American cultural and class stereotypes in the early- to mid-20th century. Selected files are noted in the container list. Occupational safety and health: See railroad worker safety manuals and accident prevention literature in ephemera files. History of food and drink: See numerous dining and beverage menus throughout Railroads and Foreign Railroads ephemera files (not always noted in container list). History of graphic design and typography: See examples of early- and mid- 20th century popular styles in printed ephemera throughout collection. Photographs and negatives: The photographs depict locomotives, freight and passenger trains, logging railroads, electric interurbans and streetcars across the United States. This was primarily a publishers file of ready-for-press photographs, which are almost all 8 x 10-inch black-and-white prints, made approximately 1950s-1980s. The photographs were made chiefly by various amateur train photographers, including Donald Duke, but most are uncredited. There are some copy prints (photographs of other photographs), and a few original photographs from the late 19th-early 20th century. Some photographs have locations and dates written on the back, but many are unidentified other than the name of the railroad. There are a few files on Ward Kimball (1914-2002), one of the original animators for Walt Disney Studios and an avid rail enthusiast. There are some photographs, biographical materials, and a file on his personal backyard narrow-gauge steam railroad, Grizzly Flats Railroad, in San Gabriel, California.
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Visual Materials
The Eugene Swarzwald Pictorial California and the Pacific Collection consists of 9,674 black and white photographs, negatives, a photograph album, magazine mock-ups, letters, and ephemera, dated 1909-ca. 1968. Eugene Swarzwald and the Swarzwald family collected the material for use in the magazine "Pictorial California and the Pacific." Images depict California and the West with some coverage of the rest of the United States and international destinations. The collection contains photographs depicting general city views of communities in California, scenic views of wilderness areas, images of parks, schools and universities, museums, and points of historic interest (including California mining towns and missions). The collection is strong in subjects related to leisure and social and recreational activities. Many of the photographs are by the Keystone Photo Service. Other photographers include Chuck Abbott, Adelbert Bartlett, Lionel T. Berryhill, Lil and Al Bloom, Hal Boucher, Campbell-Ricco-Mazzuchi Photography, Caroll Photo Service, Garth Chandler, Walter J. Collinge, Fairchild Aerial Surveys, George O. Fales, Frasher's, J. P. Graham, Dean Hesketh Company, Charles M. Hiller, Pat and G. E. Kirkpatrick, Don Knight, Albert J. Kopec, Ward Linton, Lothers and Young, Hubert A. Lowman, David M. Mills, Don Milton, Gabriel Moulin Studios, Karl Obert, Earle O'Day, Pacific Air Industries Aerial Photography, Dave Packwood, Padilla Studios, Maynard L. Parker, Jack W. Patterson, Julius Shulman, Spence Air Photos, H. W. Steward, Thiem, Harry Vroman, Whithurse Aerial Photos, and Steven H. Willard.
photCL 310
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Visual Materials
The collection consists of 6202 black-and-white and color photographs, pen and ink drawings, and postcards, 1412 black-and-white and color negatives, 2606 black-and-white and color slides, and ephemeral materials, 1898-1982 (bulk 1920s-1930s) collected by the Automobile Club of Southern California. They form a general photographic reference collection as well as a broad visual survey of topics of interest to California motorists. Included are images of sites in North and Central America (with an emphasis on California), Europe, the Pacific Islands, and portraits, as well as images related to other subjects of interest to the Club's membership. Many of the images were published as illustrations for articles in the Club's first member magazine, Touring Topics. A large portion of the photographs were taken by authors of articles that appeared in Touring Topics; others were commissioned by the Club; and others appear to have been sent to the Club. Photographers (and authors) include, but are not limited to, Ansel Adams, Fred Archer, Viroque Baker, George Hugh Banning, Adelbert Bartlett, Virginia S. Bartlett, Andrew R. Boone, Julius Cindrich, Norman Clyde, Will Connell, Loyd Cooper, Imogen Cunningham, Asahel Curtis, Edward Sheriff Curtis, Fred Dapprich, E.H. Davis, E.E. East, John Anson Ford, Frasher, Ewing Galloway, Forman G. Hanna, Phil Townsend Hanna, Hoag and Ford, John Edwin Hoag, Bert W. Huntoon, Philip Johnston, Dr. Frederick Monsen, Dave Packwood, C.C. Pierce, Ernest M. Pratt, Putnam Studios, E. Willard Spurr, and John L. Von Blon.
photCL 375
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Manuscripts
The collection contains records that were compiled or created by the Readers of the Huntington Library. The papers of Hensley Woodbridge contain his correspondence and drafts for his bibliography of Jack London, published in 1966. J. Kent Clark's dissertation on Jonathan Swift was begun at Stanford University, delayed by the Second World War and finished while he was working at Caltech. Beach Langston's draft of his book Faulkner, Tradition and Christian Myth contains notes in the margin on how to improve the work and two different drafts of chapter one. The magnetic and VHS tapes contain talks given by readers, including talks for the Friends of the Huntington Library, a membership organization supporting the Library.
HIA 36.1
645950